Tech giant’s Media & Entertainment software powers the studios behind Academy Award, BAFTA, Annie, VES and Golden Globe-nominated films.
Mike Chambers returns for his sixth term as committee chair.
Led by VFX supervisor Dave Morley, the studio delivered more than 700 shots for James Mangold’s faithful and exciting depiction of the famous 1966 24 Hours of Le Mans.
Studio crafts fully digital helicopter as it battles the Rev-9 Terminator and a stolen C-5 cargo plane in Tim Miller’s sci-fi action-adventure.
Leading VFX studio shares a comprehensive selection of exciting before / after images from Lionsgate’s hit neo-noir action thriller starring Keanu Reeves.
Glass, glass and more glass… visual effects supervisor Glenn Melenhorst and team show their CG chops by shattering a ton of glass in Lionsgate’s hit neo-noir action thriller starring Keanu Reeves.
Award-winning global digital production company welcomes industry veterans to senior management positions at its advertising division
VFX powerhouse DNEG has shared 106 images with AWN, showing in extensive detail some of the concept art and VFX imagery their team, led by VFX supervisor Alessandro Ongaro, produced for Sony Pictures Imageworks on the latest 'MiB' franchise hit, 'Men in Black: International.'
VFX supervisor Jerome Chen discusses staying true to the ‘MiB’ franchise look, and meeting audience expectations, while producing 2,000 visual effects shots in only six-months.
Production VFX supervisor Guillaume Rocheron, MPC, Method Studios and DNEG describe the creative and technical challenges of bringing four gigantic kaiju to the screen in ‘Godzilla: King of the Monsters.’
Studio provides elaborate VFX, including full CG derailment, previs, matte paintings and digital background replacements, for 90-second Western-themed “Train” commercial.
Chaos Group’s 2nd Annual event brings together 3D artists and developers in VFX, architecture and automotive design together for a series of masterclasses in Sofia.
Academy Award-winning VFX industry veteran has contributed to more than 30 feature films, including blockbuster hits ‘Men in Black,’ ‘Pearl Harbor,’ ‘Hook’ and ‘The Maze Runner.’
Former lead executive on the VFX Oscar-winning ‘Life of Pi’ returns to Method to oversee the studio’s global feature film and episodics production operation.
VFX producer Kimberly Nelson LoCascio wrangles two VFX supervisors and multiple VFX houses to help deliver more than 2,300 visual effects shots for director James Wan’s take on the DC Comics super hero.
Former PlayStation and EA executive will head studio’s efforts in producing cinematics, trailers and marketing content for game publishers.
Led by VFX supervisor Hamish Schumacher, Method Studios Vancouver delivers holiday cheer for the Netflix Christmas movie with everything from photoreal reindeer taking flight through a Northern Lights night sky to a sprightly cast of CG elves.
A magical trident holds the key for half human, half Atlantean Arthur Curry to unite the worlds of above and below in Warner Bros’ epic undersea action-adventure.
VFX supervisor Glenn Melenhorst guides studio’s Melbourne team in crafting gentle bear’s performance in Disney’s live-action fantasy adventure.
Artists at the former Atomic Fiction VFX house lend their talents to an epic crash landing and mid-air battle in Shane Black’s ‘Predator’ sci-fi adventure reboot.
Former senior EP and VP takes new role as managing director, overseeing operations for integrated advertising and immersive experiences at the Los Angeles facility.
Award-winning Psyop alum to be based out of Framestore’s Los Angeles office.
VFX talent brings his creative expertise to the studio’s senior team.
Co-founder Kevin Baillie to remain at the helm of Conductor’s Board of Directors.
‘Women in Technology’ spotlight series to include presentations from Janelle Croshaw Ralla, Kelsey Hurley and Renee Tam.
