The leading visual effects studio delivers 450 shots, including key Time Variance Authority, Gobi Desert and The Expanse sequences requiring digital characters, CG set extensions and live-action plate integration, on Marvel Studios and Disney+’s raucous new MCU outing.
Creative businesses like Method Studios and Encore not part of global invesetment firm’s purchase.
CG supervisor Han Yang has transitioned his game cinematic and trailer production efforts to a work from home studio, allowing him to continue delivering high-level content on a host of projects.
Studio crafts fully digital helicopter as it battles the Rev-9 Terminator and a stolen C-5 cargo plane in Tim Miller’s sci-fi action-adventure.
Academy Award-winning VFX industry veteran has contributed to more than 30 feature films, including blockbuster hits ‘Men in Black,’ ‘Pearl Harbor,’ ‘Hook’ and ‘The Maze Runner.’
Former lead executive on the VFX Oscar-winning ‘Life of Pi’ returns to Method to oversee the studio’s global feature film and episodics production operation.
Led by VFX supervisor Hamish Schumacher, Method Studios Vancouver delivers holiday cheer for the Netflix Christmas movie with everything from photoreal reindeer taking flight through a Northern Lights night sky to a sprightly cast of CG elves.
VFX talent brings his creative expertise to the studio’s senior team.
Co-founder Kevin Baillie to remain at the helm of Conductor’s Board of Directors.
Led by VFX supervisor Andrew Hellen, Method artists visualize the unimaginable for the new Marvel Studios feature directed by Peyton Reed.
Production VFX supervisor Dan Glass doubles down on the creation of a more unified Colossus with simultaneous facial capture and voice performance, and geometry-based character animation.
Method VFX supervisor Greg Steele oversees delivery of 430 shots for the culmination of the Marvel Cinematic Universe, including upgrades for Rocket and Groot featuring hand-keyed character animation.
Production VFX Supervisor Geoff Baumann assembled and managed the movie’s heavy-hitter vendor lineup to complete more than 2,000 visual effects shots for Marvel’s most recent hit.
Oscar-nominated VFX supervisor details the myriad challenges in bringing director James Gunn’s blockbuster sequel to the screen.
New hires bring more creative and technical firepower via their roles as head of CG, VFX supervisor and head of technology.
Method delivers 18-foot keyframe animated demon, CG environments and more for the new blockbuster hit from Marvel Studios.
Sue Troyan, Tim Davies and Darcy Parsons team up to deliver creative quality and client trust in the new company.
Eric Combrié promoted to COO and Tom Wild to VP global production operations to unify Method, Iloura, VR/AR operations across Los Angeles, New York, Vancouver, Sydney, Melbourne & Pune; Jeff Werner returns as director of digital studio, Method LA.
VFX veteran has lent his talents to a slew of major feature films including ‘The Avengers,’ “Harry Potter and the Deathly Hallows: Part 2,’ and ‘Pirates of the Caribbean: On Stranger Tides.’
Deluxe-owned visual effects studios Method and Iloura deliver detailed environments and a memorable Washington Monument sequence for the blockbuster Sony super hero feature film.
Deluxe-owned visual effects studio delivers eight-foot-tall 12,000 pound CG pig for director Bong Joon Ho’s new feature film for Netflix.
Short film adaptation of the poem ‘Monsters’ by Dorothea Lasky employs highly technical workflow to convert 3D VFX elements to 2D animation.
Led by VFX supervisor Benjamin Walsh, Deluxe-owned VFX house creates a wide range of CG effects for Top Game’s Super Bowl spots, including massive armies and accompanying weapons and horses, and atmospheric elements including fireballs, fog and smoke.
Veteran production executive to oversee day-to-day operations for Deluxe Entertainment Services Group’s VFX brand Method Studios and TV/VFX brand Encore.
Deluxe Entertainment-owned VFX house contributes to the film’s opening and closing sequences in addition to environmental and creature work, as well as reimagining the look of the ‘apparate’ and ‘disapparate’ effects from the Harry Potter films through which a wizard magically teleports into or out of a scene.
