Innovative visual effects add drama and authenticity to John Madden’s WWII thriller; historically accurate shots using countless matte paintings and a fully CG sub recreate a 1943 backdrop; starring Colin Firth, Kelly MacDonald, Matthew MacFadyen and Penelope, the film hits theaters May 6.
Tagged With: matte paintings
The New York-based VFX studio produced matte paintings, smoke and fog, and other digital elements to give Joel Coen’s new film its stark, minimalist look and feel.
The Oscar-winning VFX studio creates a hostile planet, battling robots, and a lost civilization for Netflix’s hit sci-fi series about the inter-galactic adventures of the Robinson family… that’s always in danger!
For the VFX supervisor and Alpha Studios founder, the need to ‘be so good they can’t ignore you’ has fueled her drive to succeed as a woman, Chinese immigrant, and wheelchair user, and advocate for others in an industry short on representation of those with visible, or non-visible, disabilities.
The VFX studio delivers 237 shots, including the adorable, faceless, and furry four-winged Dijiang sidekick, in Marvel Studios’ first Asian super hero film.
VFX house tackles complex mix of shots to create feats of digital sorcery for the Disney+ supernatural anthology, inspired by R.L. Stine’s graphic novels, now streaming.
VFX supervisor Nico Del Giudice walks through the studio’s background replacements and greening, as well as surgical gore replacement work, on the Peacock crime drama, based on the podcast of the same name, inspired by the true story of Dr. Christopher Duntsch and his reign of deadly surgical malpractice.
The veteran VFX editor and supervisor talks about his two latest projects, Ethan Hawke’s Civil War-era period Showtime series, and a fully animated feature inspired by ‘Love, Death & Robots.’
UK visual effects studio tackles a choreographed radium dance, WWI battlefield, Hiroshima bombing, and Chernobyl disaster in Marjane Satrapi’s captivating biographical drama.
Led by VFX supervisor Mitch Drain, the studio delivered a wide variety of visual effects shots across six episodes, including a crazy, shapeshifting creature inspired by Google DeepDream.
Led by VFX supervisors Johnny Gibson and Edward Hawkins, the studio provided a bucket-full of digital blood and gore, wounds, muzzle flashes, deadly arrows and a digital jet on the Jason Blum and Damon Lindelof produced action-thriller.
Studio produces all the visual effects on Blumhouse Productions new supernatural holiday horror film.
UK-based visual effects house tackles St. Peter’s Square, the Basilica and Michelangelo’s masterpiece, the Sistine Chapel ceiling.
Led by VFX supervisor Dave Morley, the studio delivered more than 700 shots for James Mangold’s faithful and exciting depiction of the famous 1966 24 Hours of Le Mans.
VFX studio builds photoreal replica depicting famous ’24 Hours of Daytona’ racetrack for James Mangold’s thrilling historical auto racing drama.
With Season 2 launching October 4, and a Season 3 renewal in hand, the show’s executive producer discusses his series about an eccentric 6-year-old girl that is aspirational, relatable, and funny.
VFX supervisor Joern Grosshans and team tackle the Stark Jet, CG drones and satellites, tulip fields and a Spidey suit-building machine in Sony Pictures Entertainment’s action adventure hit.