The VFX studio helps enhance the drama, add realism, and ensure continuity on Showtime’s legal drama starring Bryan Cranston as a disgraced judge, now airing and also streaming on Paramount+.
The visual effects studio delivered 1,522 shots on the Showtime vampire/horror series, including fully CG chimps that morphed into vicious vampire chimps.
Studio delivers over 200 shots on the latest entry in the ‘Welcome to the Blumhouse’ psychological thriller film anthology; dark story centers on an amnesiac desperate to regain his memory.
Digital Domain added decades to the soccer star’s face without producing any geometry using their non-invasive face-swapping technology, Charlatan.
15-year veteran joins leadership team in new B.C. division, bringing expertise in management and collaboration to studio’s growing network of work-from-home teams of artists.
Center assisted painters by providing detailed reference, visual effects, compositing and editing for Oscars-nominated feature.
New 3D architectural kits for CG Environments, concept art and matte paintings available now online; Learn Squared presents ‘The KitBash3d Festival,’ and free Livestream tutorials featuring artists Ash Thorp, Darek Zabrocki, Jan Urschel, Nick Hiatt, Justin Goby Fields and Maxx Burman.
VFX supervisor Mark Bakowski discusses his team’s 10,000 frame, seven-minute ISS interior sequence for Daniel Espinosa’s and Sony’s sci-fi thriller.
London-based commercial VFX house delivers concept design, on-set supervision & art direction as well as CG work and final delivery of VFX-driven ad.
CG supervisor Robert Allman talks about the challenge of recreating the expansive and hard to shoot environments of the world’s tallest mountain.
Flexible data processing solution from Thinkbox Software accelerates VFX studio’s pipeline.
