Last night, during ESPN’s Sunday Night Baseball, the streamer treated fans to a look at the new live-action espionage thriller starring Samuel Jackson, Ben Mendelsohn, Cobie Smulders, and Martin Freeman, premiering this June.
New technology is 300 times faster than traditional pipelines, cost-effective, and without capacity constraints; currently in beta, the solution is available as a service, with licensing expected to be available later this year.
The MCU Phase 5 kicks off this February with the third installment of the ‘Ant-Man’ franchise; Paul Rudd and Evangeline Lilly reprise their titular roles.
The long awaited second and final season has finally arrived, rolling out 2 episodes per week starting next month; Orlando Bloom and Cara Delevingne return to the fantasy world where humans and fae collide.
After debuting in November, the hugely popular series has been picked up for a second season, promising more mystical mayhem as the deadpan eldest daughter of the Addams Family continues her ‘tortuous journey’ at the spooky prep school, Nevermore Academy.
VFX Supervisor Dennis Berardi dishes on the show’s signature production of ghouls, critters, an octopus, a blob monster, a six-foot long queen rat, and a lady made out of beauty lotion – 2,000 visual effects shots all totaled - in the horror anthology series now streaming on Netflix.
The curated horror anthology from the acclaimed filmmaker debuts later this month with 2 themed episodes streaming daily for 4 nights; brand new motion art and debut dates tease fans, heightening anticipation for the series that’s coming soon, but not soon enough!
The highly anticipated series, focused on the deadpan eldest daughter of the Addams clan, premieres November 23.
The famed director’s twisted series gives new life to the ghoulish ‘Addams Family’ clan while charting the supernaturally infused mystery of Morticia and Gomez Addams’ angsty daughter’s years at the Nevermore Academy; coming to the streamer this Fall.
Emmy Award-nominated tech and VFX startup raises CAD$6.5 million to grow core services, accelerate R&D of AI for visual effects technology, and bolster work force.
VFX studio takes on Vision, both in color and black and white, flying high above a CG Westview, and cutting a rug with Wanda.
MARZ VFX supervisor Ryan Freer will share the often-invisible VFX on Marvel’s first Disney+ series; three presentations will peek behind the curtain surrounding the year’s first blockbuster VFX-driven tentpole to see monster making up close and personal.
VFXWorld and AWN break down the 10 shows nominated for Outstanding Special Visual Effects and Outstanding Special Visual Effects in a Supporting Role, and the studios behind their spectacular visuals.
VFX supervisor Everett Burrell breaks down the Netflix series’ almost 2,000 VFX shots, a mix of nuclear holocausts, digital characters, time jumps, and a goldfish.
The newest addition to VFX house Monsters Aliens Robots Zombies brings decades of film and TV experience on shows like ‘Hellboy’ and ‘Grimm.’
