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Tagged With: lighting

TV VFX Headline News

Pixomondo Goes for the 'Gold' on Ozymandias and HBO’s ‘Watchmen’

By Dan Sarto | Monday, June 29, 2020 at 6:29pm

Company carbonizes and de-carbonizes Jeremy Iron’s character, turning the actor into a golden statue, in Damon Lindelof’s highly acclaimed series.

Technology Headline News

Making Myth Real: Breathing Light Into ‘White Snake’

For Beijing-based Light Chaser Animation, Foundry has played an essential role in the studio’s growing success in producing visually compelling and beautifully designed CG animated feature films. 

TV VFX VFXWorld

Nviz’s Gravity Flip Makes Yoga Much More Exhilarating in HBO’s ‘Avenue 5’

By Dan Sarto | Tuesday, May 26, 2020 at 1:51pm

VFX studio handles previs, visual effects, postvis, and graphics production for the inaugural season of Armando Iannucci’s space tourism comedy

Technology Headline News

First Look: Unreal Engine 5 Moving Towards High-End Photorealism

Slated for release in 2021, Epic Game’s next generation game engine looks to achieve photorealism on par with movie CG.

Feature Film VFX Headline News

WATCH: Pixomondo VFX Breakdown Reel for ‘The Hunt’

Led by VFX supervisors Johnny Gibson and Edward Hawkins, the studio provided a bucket-full of digital blood and gore, wounds, muzzle flashes, deadly arrows and a digital jet on the Jason Blum and Damon Lindelof produced action-thriller. 

TV VFX Headline News

WATCH: Digital Domain’s ‘Lost in Space: Season 2’ VFX Breakdown Reel

By Dan Sarto | Monday, March 2, 2020 at 12:10pm

Led by VFX supervisor Aladino Debert, the Oscar-winning studio delivered around 160 shots for the second season of Netflix’s popular reimagined sci-fi adventure series.

Feature Film VFX VFXWorld

The Magic Behind the Magic of 'Star Wars: Episode IX’

Production VFX supervisor Roger Guyett talks creating Princess Leia, the benefits of practical shooting, and bringing the saga to a close.

Home Entertainment Headline News

WATCH: New MPC ‘The Lion King’ VFX Breakdown Reel

By Dan Sarto | Tuesday, February 4, 2020 at 2:17pm

Nominated for a Best Visual Effects Oscar, Jon Favreau’s VES Award-winning hit was a masterpiece of photorealistic animation and state-of-the-art virtual production.   

SVOD ANIMATIONWorld

How ‘Klaus’ Uniquely Combines CG Lighting Techniques with Traditional 2D Animation

Production designers Szymon Biernacki and Marcin Jakubowski helped create an innovative, distinctive 2D aesthetic for Sergio Pablos’ delightful new Christmas film, now showing on Netflix.

Technology Headline News

Adobe Shares Innovative ‘Sneak Peeks’ at Adobe Max

Highly anticipated event for onsite attendees offered an exclusive look at the newest company research initiatives.

feature film animation ANIMATIONWorld

Sony Pictures Imageworks Spreads More Than Its Wings in ‘The Angry Birds Movie 2’

By Dan Sarto | Friday, August 30, 2019 at 8:28am

For first-time VFX supervisor Stirling Duguid, animating water, lava, pig snot and millions of feathers was only part of the fun producing the sequel to Rovio’s 2016 animated hit, ‘The Angry Birds.’  

Google Cloud Platform VFXWorld

Luma Pictures Takes Molten Man and Cyclone into the Cloud on ‘Spider-Man: Far From Home’

By Dan Sarto | Wednesday, August 28, 2019 at 12:47pm

VFX producer Michael Perdew shares how Google Cloud was integral in the studio’s Air and Fire Elementals production work on the hit superhero action adventure.

Feature Film VFX VFXWorld

Animal Logic Does a Marvel-ous Job bringing ‘Captain Marvel’ VFX to Life

High-end animation and visual effects studio used cineSync extensively to help define, refine and enhance their creative vision and stay in tune with directors Anna Boden and Ryan Fleck.

Feature Film VFX VFXWorld

Taking on the ‘Lion’s’ Share of the Work

VFX powerhouse MPC's animation supervisor Stephen Enticott discusses how the studio balanced photorealism with emotion while crafting the engaging performances in ‘The Lion King,’ Disney’s latest hit animated classic remake. 

Feature Film VFX VFXWorld

Doing it Fast ‘And’ Distinctive: The VFX of ‘Men in Black: International’

VFX supervisor Jerome Chen discusses staying true to the ‘MiB’ franchise look, and meeting audience expectations, while producing 2,000 visual effects shots in only six-months.

Feature Film VFX VFXWorld

Image Engine Swings into Action with ‘Spider-Man: Far From Home’ VFX

VFX supervisor Joern Grosshans and team tackle the Stark Jet, CG drones and satellites, tulip fields and a Spidey suit-building machine in Sony Pictures Entertainment’s action adventure hit.

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