Impossible Objects Dreams Up ‘All Kinds of Fields’ for John Deere
Directed by Jay Walker, the spot tapped studios’ technical expertise using CG, LED volume shoot and traditional VFX to visually realize a young girl’s dream.
Tagged With: LED Volume
‘Percy Jackson and the Olympians’: A Kid Demigod Takes the LED Stage
Jon Steinberg and Dan Shotz’s reimagining of Rick Riordan’s best-selling book series, that tells the story of a 12-year-old with newfound divine powers and his journey to find a lightening bolt he’s accused of stealing, looked to ILM VFX supervisor Jeff White and the studio’s groundbreaking StageCraft LED Volume technology for live-action shoots integrating real-time animated environments.
In 3D, Acting, Books, CG, Digital Media, People, Technology, Television, Virtual Production, Visual Effects | VFXWorld | Geographic Region: All
Puget Systems Teams With Vu on ‘Vu One’
The just announced single solution turnkey virtual production platform integrates creative and collaborative software tools and hardware for increased efficiency; the platform is now available and rolls out globally Q4 2023.
In 3D, AI, Business, CG, People, Technology, Virtual Production, Visual Effects | ANIMATIONWorld, Headline News, VFXWorld | Geographic Region: All
AGBO’s Visual Creatures Names Andy Williams Senior Executive Producer
Industry veteran will lead business development and client strategy as the virtual production company expands its service offerings to the filmmaking industry.
Impossible Objects Gets Unreal on GM OnStar Campaign
Team uses state-of-the-art virtual production and real-time technology, including Unreal Engine and disguise, to highlight expanded tech capabilities of OnStar’s offerings – without ever having to hit the road; check out ‘From The Lab: Building the OnStar’ to see how.
In 3D, CG, Commercials, Digital Media, People, Technology, Virtual Production | ANIMATIONWorld, Headline News | Geographic Region: All
Virtual Production Event to Showcase Technology for New York Filmmakers
Hosted by Post New York Alliance (PNYA), the Hollywood Professional Association (HPA), and Fuse Technical Group, the January 26 event will explore how filmmakers can utilize Unreal Engine to enhance their projects, including presentation, speakers, and Q&A.
In 3D, CG, Commercials, Education and Training, Event, Films, People, Previs/Postvis/Visualization, Technology, Television, Virtual Production, Visual Effects | Headline News, VFXWorld | Geographic Region: North America
SCAD Embraces the ‘Bleeding Edge’ of Technology with New LED Volume Stage
By bringing together live-action performance with digital environments and real-time rendering, the university's students across creative disciplines are collaborating as never before, creating the future with technology that didn’t exist only two years ago.
In 3D, Acting, CG, Digital Media, Education and Training, Event, Festival, Films, Games, People, Post-production, Technology, Television, Virtual Production, AR/VR/XR, Visual Effects | VFXWorld | Geographic Region: North America
DNEG Promotes Chas Jarrett to Creative Director
VFX veteran takes the reins from current creative director and two-time Oscar-winning VFX supervisor Paul Franklin, who will continue providing visual effects consulting to the company on features as well as develop and direct new projects.
In 3D, Business, CG, Films, Jobs & Recruiting, People, Short Films, Technology, Television, Virtual Production, Visual Effects | Headline News, VFXWorld | Geographic Region: All
What’s the Buzz on Framestore’s Photorealistic VFX in ‘Man Vs Bee’?
Well, the studio created 600 shots for Netflix’s Rowan Atkinson slapstick comedy -- 202 of which featured the series’ plucky and relentless bumblebee co-star.
In 3D, Acting, CG, Digital Media, People, Technology, Television, Visual Effects | VFXWorld | Geographic Region: All
Shocap and Animatrik Present ‘LiViCi’ Hybrid Show ‘Carry Me Home’
A fusion of live music, storytelling, virtual worlds, and acrobatics, the XR experience livestreams globally and in person at Animatrik’s Vancouver virtual production stage on June 4.
