On March 9, VFX supervisors from the 5 Best Visual Effects Oscar nominated films come together in a free VIEW Conference virtual panel; the event is offered in partnership with OGR and the VFX Festival.
Tagged With: Jonathan Fawkner
‘Dune’ receives 10 nominations including Best Visual Effects and Best Picture; ‘Encanto,’ ‘Flee,’ ‘Luca,’ ‘The Mitchells vs. the Machines,’ and ‘Raya and the Last Dragon’ are nominated for Best Animated Feature; ‘Affairs of the Art,’ ‘Bestia,’ ‘Boxballet,’ ‘Robin Robin,’ and ‘The Windshield Wiper’ are nominated for Best Animated Short.
Leading visual effects studio delivered nearly 400 shots, adding CG elements to everything from icy lakes to forests and high-speed car chases, in MGM’s latest action-packed James Bond spy thriller.
Montreal and London studios create iridescent weaponized gas that descends on James Bond as he’s caught in a beam of light surrounded by party goers in the hit MGM thriller.
Framestore’s Jonathan Fawkner and MPC’s Pete Dionne discuss the various ways visual effects were produced to help director Rob Letterman bring the smart-aleck yellow cartoon sleuth to the screen.
Group of 20 nominees draws on two decades of experience and technological advances, delivering shots that were previously unimaginable.
Oscar-nominated VFX supervisor details the myriad challenges in bringing director James Gunn’s blockbuster sequel to the screen.
Conjuring giant elephants, magical serpents and the out-of-this-world CG environments, London and Montréal studios contribute a total of 437 VFX shots to director Guy Ritchie’s Medieval adventure.
Framestore collaborates with VFX supervisor Christopher Townsend to deliver more than 620 shots ranging from creature work, spaceships, ‘the best opening sequence in the world’ and an exhilarating space chase across the Galaxies.