VFX team seamlessly integrated 99 individual shots into a 22-minute oner spanning a prison escape, car chase and train crash; directed by Sam Hargrave and written by Joe Russo, the action-adventure is now streaming on Netflix.
Led by VFX supervisor Wes Froud and VFX producer Scott Shapiro, lead vendor DNEG, along with Digital Domain, Distillery VFX, Host VFX, Luma Pictures, Outpost VFX, Perception, RISE, Territory Studios, Visual Creatures, and Zoic Studios, delivered a wide selection of 1,796 VFX shots, ranging from UI motion graphics to an explosive train crash, on the famed MCU directing duo’s new spy thriller series, now streaming on Prime Video.
With negotiations at a standstill and no sign of bending on either side, studios may turn to AI to pen scripts in the absence of Hollywood’s writers.
Rumors across the Internet-verse say the ‘Matilda’ star has already signed onto the film, while alleged cast considerations include Taron Egerton as Hercules and Henry Cavill.
Fans are up in arms after a Variety interview with Joe Russo describes the upcoming musical remake as ‘modernized’ and ‘experimental,’ with possible inspiration by elements of the popular dancing app.
Kumail Nanjiani gets the keys in the 2-minute ‘Parking Spot’ advert, as the superhero from the upcoming MCU feature faces a real-life problem: safely parking his brand-new car when he heads downtown for work.
Leading visualization studio shares just released images showcasing some of their extensive work on Joe and Anthony Russo’s box office smash, the final film in Marvel’s 22-MCU-movie ‘Infinity’ saga.
'Avengers: Endgame' directors to oversee new and expanded Planeswalkers storylines for iconic game franchise’s first onscreen effort.
The studio revisits and revamps Hulk, Marvel’s smash-‘em-up, fan-favorite digital character they first brought to the screen back in 2003.
Led by VFX supervisor Simon Stanley-Clamp, the studio delivers 264 visual effects shots for Marvel’s record-breaking box office hit, ‘Avengers: Endgame.’
VFX supervisors Dan DeLeeuw and Kelly Port discuss the challenges of capturing the nuanced performance of Josh Brolin as the philosophical antagonist in ‘Avengers: Infinity War.’
Method VFX supervisor Greg Steele oversees delivery of 430 shots for the culmination of the Marvel Cinematic Universe, including upgrades for Rocket and Groot featuring hand-keyed character animation.
Weta Digital and Digital Domain transform Josh Brolin’s motion capture performance into a believable and imposing CG adversary.
Senior previs/postvis supervisor Gerardo Ramirez discusses the highlights and challenges of the fourteenth collaboration between The Third Floor and Marvel Studios.
Award-winning VFX house crafts CG environments, digi-doubles and more, delivering 253 shots for the opening act of the final arc of the current Marvel Cinematic Universe narrative.
Complementing the 12-foot tall purple villain created by Weta Digital for action-packed fight sequences, Digital Domain employs proprietary tool Masquerade using new machine-learning algorithms to deliver emotive performances from the CG character.
Blockbuster crossover event movie has been ten years in the making and features characters from all across the Marvel Cinematic Universe.
An estimated 63 comic book adaptations are set to hit the big screen by 2020 from creators ranging from ‘Captain America’ directors the Joe and Anthony Russo to comic book powerhouse Stan Lee.
Earning expanded design, production and VFX roles, design-driven production company delivers main title sequence and more than 20 visual effects shots for the new Marvel feature directed by Anthony and Joe Russo.
Well on its way to becoming the first title of 2016 to cross $1 billion, Marvel’s newest super hero blockbuster directed by Anthony and Joe Russo opens to $181.8 million in the U.S. for a total of $678.4 million at the global box office.
