Netflix’s animated short anthology uses every trick in the book – from disturbing grotesquery to quirky humor – to explore humanity’s overriding fear of death, ultimately shining an enriching light on our daily existence and what it means to be human.
Read the film and director list - with images - from the batch of nine news shorts in Netflix’s epic, Emmy Award-winning anthology that returns on May 20; executive producer David Fincher makes his animation directorial debut, and Oscar winner Alberto Mielgo returns with another piece.
The Sony Pictures Imageworks senior VFX supervisor discusses his studio’s integration of Epic’s game engine technology and real-time workflows into its animation production on a new episode of Netflix’s ‘Love, Death & Robots’ anthology series.
Free resource provides in-depth look into virtual production workflows, new methodologies, remote collaboration, in-camera VFX, animation, and what’s coming next in Unreal Engine 5.
VFX powerhouse DNEG has shared 106 images with AWN, showing in extensive detail some of the concept art and VFX imagery their team, led by VFX supervisor Alessandro Ongaro, produced for Sony Pictures Imageworks on the latest 'MiB' franchise hit, 'Men in Black: International.'
VFX supervisor Jerome Chen discusses staying true to the ‘MiB’ franchise look, and meeting audience expectations, while producing 2,000 visual effects shots in only six-months.
Montreal VFX studio collaborates on sequel to classic family film.
MPC VFX supervisor Bob Winter oversees the creation of CG environments, digital doubles, and a deadly jaguar attack for director Jake Kasdan’s ‘Jumanji: Welcome to the Jungle.’
Iloura delivers one of the studio’s most complex sequences ever, including CG environments and effects, CG rhinos and helicopter, and digital doubles.
VFX supervisor Mark Breakspear discusses the studios’ 300 third act shots on Warner Bros’ DC Comics superhero hit, ‘Suicide Squad.’
With visual effects provided by MPC, Sony Pictures Imageworks and Ollin Studio, new trailer provides a closer look at the film’s main characters, including the elusive Joker.
The veteran Imageworks visual effects supervisor walks us through the production of Sony’s highly anticipated second Spider-Man offering.
