Academy Award winner and visual effects supervisor of ‘Kong: Skull Island’ takes creative reins of ILM’s Canadian studio.
Group of 20 nominees draws on two decades of experience and technological advances, delivering shots that were previously unimaginable.
VFXWorld takes a closer look at the Oscar-nominated effects that brought the biggest version of King Kong ever to the big screen.
Jonathan Erland to receive Gordon E. Sawyer Award Feb. 10 at annual awards ceremony.
Postvis/VFX supervisor Teftt Smith II discusses the Santa Monica studio’s work on nearly 300 shots from previs through final delivery.
