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Tagged With: Industrial Light & Magic

Chaos Group Headline News

Chaos Group Announces V-Ray Days Lineup for SIGGRAPH 2018

A behind-the-scenes look at blockbuster films and hit TV shows with Digital Domain, Method Studios, ILM and Scanline VFX among featured presenters.

Industrial Light & Magic VFXWorld

How ILM Blended Practical and Digital Effects for ‘Jurassic World: Fallen Kingdom’

Industrial Light & Magic animation supervisor Jance Rubinchik describes the joys of playing with dinosaurs for ‘Jurassic World: Fallen Kingdom.’

ILM VFXWorld

How ILM Animated Rio, L3, and the Space Creature from ‘Solo: A Star Wars Story’

Industrial Light & Magic employs its traditional hybrid approach to combining practical and CG effects for grounded performances.

Industrial Light & Magic VFXWorld

New Sheriff in Town: ILM’s Rob Bredow Talks ‘Solo: A Star Wars Story’

From in-camera effects to the latest virtual production techniques, Industrial Light and Magic’s newly appointed head rounds up more than 1,800 VFX shots for the Star Wars stand-alone anthology space western.

Previs VFXWorld

Virtually Cool: The Third Floor Delivers Previs and Pop Culture for ‘Ready Player One’

TTF previs creative director Joshua Wassung, previs supervisor Todd Constantine, and storyboard head Doug Lefler collaborate with director Steven Spielberg on a host of visual gags for the sci-fi feature’s complex race scene.

Industrial Light & Magic VFXWorld

How ILM Animated the Avatars from Steven Spielberg’s ‘Ready Player One’

Industrial Light & Magic had a blast creating the virtual world of the OASIS and tripping down memory lane with spot-on recreations of the DeLorean from ‘Back to the Future’ or the T-Rex from ‘Jurassic Park,’ but the avatars were much more demanding.

Feature VFX VFXWorld

ILM’s Richard McBride Helps Conjure Other Worlds for Disney’s ‘A Wrinkle in Time’

Oscar-nominated VFX supervisor takes audiences on a quest through the universe for director Ava DuVernay’s adaptation of the sci-fi classic written by Madeleine L’Engle.

Marvel VFXWorld

Piecing Together the Puzzle: Bringing ‘Black Panther’ to the Screen

Production VFX Supervisor Geoff Baumann assembled and managed the movie’s heavy-hitter vendor lineup to complete more than 2,000 visual effects shots for Marvel’s most recent hit. 

Academy Awards VFXWorld

The 2018 VFX Nominees: Doubling Down on Digital Effects

Group of 20 nominees draws on two decades of experience and technological advances, delivering shots that were previously unimaginable.

Kevin Jenkins VFXWorld

Reinventing a Galaxy Far, Far Away: Kevin Jenkins on Designing ‘The Last Jedi’

From preproduction through postproduction, design supervisor Kevin Jenkins helps safeguard the visual language of the Star Wars universe for the eighth episode in the iconic franchise.

Feature VFX VFXWorld

Worlds of Wonder: Winter 2018 VFX Preview

This winter offers a franchise reboot, massive destruction on a global scale, and the return of Paddington the bear, but the real story just might be the worlds of wonder conjured up for the Disney adaptation of ‘A Wrinkle in Time.’

Industrial Light & Magic VFXWorld

Balancing Act: ILM Blends VFX Innovation with Franchise Consistency in ‘The Last Jedi’

Led by production VFX supervisor Ben Morris, visual effects powerhouse Industrial Light & Magic confidently seeks to honor the innovative spirit of the series without losing its heart.

Marvel Studios VFXWorld

Assembling an Epic: The VFX of ‘Thor: Ragnarok’

Marvel Studios VFX supervisor Jake Morrison oversaw just under 2,700 shots contributed by Framestore, Digital Domain, Double Negative, Industrial Light & Magic, Rising Sun Pictures, Method Studios, Iloura and Luma Pictures for the third instalment of the God of Thunder franchise.

Feature VFX VFXWorld

ILM Delivers Hellfire and Damnation for Darren Aronofsky’s ‘mother!’

Industrial Light & Magic VFX supervisor Ben Snow details the range of destruction and fiery visual effects created for the Paramount feature starring Jennifer Lawrence and Javier Bardem.

VIEW Conference Blogs

WATCH: ILM’s Russell Earl Talks the VFX of ‘Captain America: Civil War’ at VIEW

By Dan Sarto | Tuesday, October 10, 2017 at 9:55am

The veteran VFX supervisor discusses digital doubles, animating believable performances and handling on-set technical challenges while shooting Marvel’s smash super hero hit, ‘Captain America: Civil War.’

VIEW Conference Blogs

WATCH: ILM’s Roger Guyett Talks the VFX of ‘Star Wars: The Force Awakens’ at VIEW

By Dan Sarto | Monday, October 2, 2017 at 1:44pm

The veteran visual effects supervisor and 2nd unit director details Industrial Light & Magic’s work with J.J. Abram’s on his epic sci-fi adventure hit.

VIEW Conference Blogs

WATCH: Lucasfilm CTO Rob Bredow Talks ILMxLAB, ILM VR Tools and More at VIEW

By Dan Sarto | Friday, September 29, 2017 at 12:39pm

The veteran CTO and VFX supervisor discusses ILM VR tools, technology and storytelling efforts on ‘Star Wars’ franchise films.

Pixar Headline News

Pixar Animation Studios Showcases New Rendering Technologies at SIGGRAPH 2017

Special previews of live rendering and a CPU + GPU solution accompany the announcement of RenderMan 21.5.

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