F is for Flake: The (Not So) Great Animation Robbery?
The indie animation community is confronted by scandal, of sorts, involving a short film, recently submitted to animation festivals, that appears to be a copy of a short made a decade ago.
The indie animation community is confronted by scandal, of sorts, involving a short film, recently submitted to animation festivals, that appears to be a copy of a short made a decade ago.
Emmy Award winner Colman Domingo and co-writer and co-director Raúl Domingo talk about their animated short film, dedicated to Black mothers and sons and the love that sustains them through numerous hardships, which has been shortlisted for an Oscar.
Inspired by a ‘Frozen’ documentary, director Daniel Gies digitally created the film’s folded paper styled stop-motion-like animation with tools such as Maya, Houdini, and Unreal Engine; his animated short debuts later this year.
Piera Varda explains how he and his team at Peru-based La Escena Virtual designed and produced their ambitious animated short, ‘The Within,’ after upgrading their workflow to integrate new real-time tools that enabled much greater creative control and artistic freedom.
Alice Walker once wrote, ‘Time moves slowly, but passes quickly.’ How do you pack a 24-hour narrative into a 3-minute film? By animating time. In conversation with the filmmaker.
AWN’s monthly survey of under the radar animated shorts currently – or in this case, previously - traveling the festival circuit – that this month should put everyone in the holiday spirit!
Andrzej Jobczyk’s 7-minute 2D animated short, produced by the Warsaw-based studio, Letko, tells a compelling story of passion and the power of nature amidst the destructive forces of war.
AWN’s monthly survey of animated shorts making the festival circuit rounds includes ‘A Tiny Man,’ ‘Sliver Cave,’ ‘Slow Light,’ ‘#BINARYGENDERNORM: GIRLS,’ and ‘Magical Caresses - Masturbation: A Short Story of a Great Taboo.’
There’s nothing like it – immersed in the dark theater, engrossed in OIAF competition films, popcorn greasy fingers tapping out notes in the dark.
Sorry we’re late – publisher lameness to blame – AWN’s monthly animated shorts survey includes ‘Cash In, Cash Out,’ ‘Dog Apartment,’ ‘Luce and the Rock,’ ‘Safe Mode: Lana Among the Lilies,’ and ‘Scale.’
This month’s animated shorts survey includes ‘IIzuna Fair,’ ‘My Year of Dicks,’ ‘The Pattern,’ ‘The Record,’ and ‘Vampire,’ all in competition at the Ottawa International Animation Festival, running September 21-25.
The pre-eminent Estonian animator, artist, teacher, and author discusses his sophisticated, often ambiguous, but always meticulous films, recently honored with a retrospective and exhibition at the Bergamo Film Meeting in Italy.
AWN’s Animation Pimp and Ottawa Animation Festival artistic director Chris Robinson takes a look at seven intriguing short films competing at this year’s Annecy International Animation Festival, which runs June 13-18.
FutureDude’s Jeffrey Morris has finally released his 30-minute short made with almost no money, a few actors, and a glass of water, fulfilling his long-time desire to tell a ‘deep sea’ story with compelling characters and hybrid filmmaking techniques that audiences relate to and enjoy.
AWN’s Animation Pimp and Ottawa Animation Festival artistic director Chris Robinson takes a close look at six ‘under the radar’ animated shorts in competition at next week’s hybrid Stuttgart International Festival of Animated Film – ITFS – running May 3-8.
AWN’s long-time resident provocateur, Ottawa Animation Festival artistic director Chris Robinson, gets the directors behind this year’s Best Animated Short nominees - ‘Affairs of the Art,’ ‘Bestia,’ ‘Boxballet,’ ‘Robin Robin,’ and ‘The Windshield Wiper’ - to share their insightful answers to his anything but standard questions.
Five outstanding animated works, widely awarded and loved at festivals worldwide, all worthy of taking the top prize at ASIFA-Hollywood’s 49th annual celebration of the best in animation, coming March 12.
Director Simone Giampaolo discusses how 12-year-old Severn Cullis-Suzuki’s 1992 UN Summit speech, almost 3 decades later, led to the creation of a compelling animated short film involving more than 20 artists employing a dozen techniques, which has been shortlisted for an Oscar.
The macabre short from writer-director Joe Hsieh continues its festival circuit success since qualifying for this year’s Oscars and scoring an Annie nomination for best short subject.
Go behind-the-scenes of the Oscar shortlisted animated short with director Simone Giampaolo and producer Gabriella de Gara, moderated by ‘The Willoughbys’ director Kris Pearn, with special guest Severn Cullis-Suzuki, on Friday, January 28 at 11 am PST.
Expatriate Iranian director Reza Riahi and producer Eleanor Coleman discuss their expertly crafted, dialogueless stop-motion short film about a musician, blinded by Genghis Khan - while taking his girlfriend as a slave/consort - who 50 years later, is summoned to perform at the castle where she is being held.
AWN’s Animation Pimp and Ottawa Animation Festival artistic director Chris Robinson shares his takes on this year’s set of 15 films shortlisted for a spot as one of five nominated for the upcoming Academy Awards.
The indie filmmaker, director, editor, and animator discusses his current production, ‘Alphabetical Athleticalz,’ which just might be the most ambitious pixilation project ever.