Production VFX supervisor Andrew Jackson gets quite ‘particular’ discussing the visual effects in Christopher Nolan’s hit biopic about J. Robert Oppenheimer, his life and work leading The Manhattan Project’s development of the world’s first nuclear bomb.
Tagged With: Imax
Special screenings set at IMAX theaters in major U.S. cities of exclusive first-look footage from the upcoming sci-fi thriller, followed by a live Q&A with the director/producer/co-writer; film hits theaters next month.
Universal’s new short gives audiences a glimpse of how Christopher Nolan’s epic thriller was made; film hits theaters and IMAX July 21.
The long-awaited paradoxical thriller follows the eponymous man who must risk destroying the world to save it, in theaters July 21.
The leading VFX and animation studio’s deal with parent company Prime Focus Limited for India-based integrated film and TV studio assets includes PF Studios, Digital Intermediate, Equipment Rental Services (EQR), and PFL’s Advertising post-production business.
Working directly with visual effects vendors during pre-production and communicating constantly with those houses as well as the film’s three editors during the entire production through postvis, were key to helping director Ryan Coogler get his ‘Black Panther’ sequel to the screen.
‘Sword Art Online the Movie -Progressive- Aria of a Starless Night,’ ‘Laid-Back Camp The Movie,’ ‘PSYCHO-PASS: The Movie’ and more arrive on the streamer starting November 17.
The XA curriculum explores new forms of animation practice and allows students to design their career paths through individual mentorships and a flexible curriculum; the application deadline is November 15.
The ‘Evangelion’ franchise finale will screen in IMAX November 30, and select theaters December 6th, 8th and 11th.
Alongside a new featurette produced by primary visual effects vendor DNEG, Oscar-winning VFX supervisor Paul Lambert details the hybrid of practical and digital techniques employed for the cinematic adaptation of ‘First Man: The Life of Neil A. Armstrong.’
Alongside primary visual effects vendor DNEG, Oscar-winning VFX supervisor Paul Lambert and production designer Nathan Crowley employ a hybrid of practical and digital techniques for the cinematic adaptation of ‘First Man: The Life of Neil A. Armstrong.’
Director of the upcoming Disney feature ‘A Wrinkle in Time’ joins speaker lineup at ninth annual VES Summit to be held Saturday, October 28.
Featured speakers at interactive forum to be held Saturday, October 28 include Hollywood data hack expert Hemanshu Nigam and IMAX home entertainment president Jason Brenek.
One-night-only event featuring an exclusive first look at film footage to be held across 14 North American cities on February 28th.
Based on the comics created by Stan Lee and Jack Kirby in 1965, first two episodes of ‘Marvel’s The Inhumans’ to premiere in IMAX theatres for two-week window in late Summer 2017 prior to network run.
Using scientific photos and data for reference, Method artists deliver seven minutes of content for the IMAX presentation of director Terrence Malick’s ‘Voyage of Time.’
Technology-based exhibit developed by the Museum of Science, Boston in collaboration with Pixar Animation Studios makes its West Coast debut at the California Science Center and IMAX Theater in Los Angeles on October 15.
October 13 global fan event and week-long theatrical engagement showcasing all eight ‘Harry Potter’ films celebrates the upcoming November 18th release of J.K. Rowling’s ‘Wizarding World’ and Warner Bros.’ ‘Fantastic Beasts and Where to Find Them.’
Marvel Studios to offer fans a sneak peek at 15 minutes of footage from the world’s newest super hero at IMAX theaters on October 10.
Video game adaptation distributed by Legendary Pictures grosses $5.32 million, or RMB 35 million, on 290 IMAX screens across China.
Technology innovators join forces to raise VR Capture quality to the next level through IMAX camera and Google's Jump technology.
Latest installment in the ‘Star Wars’ saga becomes the highest grossing film of all time in the domestic market, surpassing the $760.5 million lifetime gross of ‘Avatar’ in a record-shattering 20 days of release.