Rebecca Manning Joins Alkemy X as Compositing Supervisor
Veteran compositing supervisor brings with her more than 40 movie and TV credits including ‘Ghostbusters,’ ‘The Jungle Book,’ ‘X-Men: Days of Future Past’ and ‘Avatar.’
Veteran compositing supervisor brings with her more than 40 movie and TV credits including ‘Ghostbusters,’ ‘The Jungle Book,’ ‘X-Men: Days of Future Past’ and ‘Avatar.’
VFX producer Kimberly Nelson LoCascio wrangles two VFX supervisors and multiple VFX houses to help deliver more than 2,300 visual effects shots for director James Wan’s take on the DC Comics super hero.
Visual effects supervisor Paul Linden helps orchestrate a successful marriage between stunts, special effects and visual effects for the new Lara Croft film.
VFX house created an alternate version of downtown Los Angeles, as well as mythical creatures and a spectacular car crash sequence.
Iloura delivers one of the studio’s most complex sequences ever, including CG environments and effects, CG rhinos and helicopter, and digital doubles.
Studio also expands features business development with addition of Heather Jennings and promotion of Deb Giarratana; Gabby Gourrier to drive brand-direct business, special projects in new exec role.
Digital doubles, smoke and fire simulation among the key elements VFX studio used to create the epic battle scenes.
New crowd simulation agent delivers lifelike, feature film quality movements recorded by one of the world’s leading motion capture studios.
Industry-leading simulation tool features improved workflow for creating crowds, expanded shading options, and universal plugin to ensure compatibility with all major 3D software.
Academy gives nod to supporting visual effects with nomination of Industrial Light & Magic team led by VFX supervisor Craig Hammack for director Peter Berg’s depiction of the disastrous 2010 Gulf of Mexico oil rig explosion and spill.
International candidates now eligible to apply for scholarships at Australia’s CG Spectrum College in animation, concept art, visual effects, programming, 3D modeling and compositing.
Led by VFX supervisor Jason Billington, Deluxe Entertainment-owned effects house is tapped to heighten realism in many of the film’s high action sequences, adding digital mud, fire and smoke.
From a skeletal ectoplasm-spewing-monster to a Heavy Metal ghoul, Deluxe-owned VFX house helps bring some of the film’s most memorable supernatural characters to life.
Led by VFX supervisors Glenn Melenhorst and Andrew Hellen, Deluxe-owned visual effects studio completes 500 shots for Sony’s ‘Ghostbusters’ reboot.
Work by Deluxe-owned Iloura on ‘Game of Throne’s ‘Battle of the Bastards’ receives nomination for outstanding VFX.
Deluxe-owned Australian animation and visual effects studio delivers a significant suite of work for the recent ‘Battle of the Bastards’ episode of HBO’s tentpole series ‘Game of Thrones.’
Former Digital Domain CEO joins the company as President and General Manager, Deluxe Visual Effects, responsible for leading Deluxe's Method Studios and Iloura, and unifying global VFX operations.
VFX supervisor Joe Bauer and VFX producer Steve Kullback present the visual effects work for the upcoming season of the hit HBO fantasy series in a new featurette with lots of breakdowns and behind the scenes footage.
Deluxe VR will debut new projects and services -- including end-to-end production and post-production -- at NAB 2016.
Filmakademie graduate and Disney/Pixar Character TD Tanja Krampfert discusses the creation of Joy in ‘Inside Out,’ while DoP Patrick Lin illuminates the special camera set-up designed to parallel the main character’s emotional journey.
New trailer populated by gods and mortals aplenty, showcases stunning digital backdrops and other visual effects from Cinesite, Iloura, Raynault VFX, Rising Sun Pictures, Rodeo FX and Tippett Studio.
Vancouver-based online education provider CG Spectrum collaborates with Iloura VFX to invest up to $1 million in scholarships and paid internships.
Iloura VFX supervisor Glenn Melenhorst discusses the return of Ted, the politically incorrect talking teddy bear that stars in Seth MacFarlane’s adult comedy sequel.
Lightweight inertial capture suits allow production company MRC to lay down Ted’s performance live on set.