VFXWorld and AWN break down the 10 shows nominated for Outstanding Special Visual Effects and Outstanding Special Visual Effects in a Supporting Role, and the studios behind their spectacular visuals.
Tagged With: Hybride
From in-camera effects to the latest virtual production techniques, Industrial Light and Magic’s newly appointed head rounds up more than 1,800 VFX shots for the Star Wars stand-alone anthology space western.
VFXWorld takes a closer look at the Oscar-nominated effects that brought the biggest version of King Kong ever to the big screen.
Industrial Light & Magic VFX supervisor Ben Snow details the range of destruction and fiery visual effects created for the Paramount feature starring Jennifer Lawrence and Javier Bardem.
VFX supervisor Samir Hoon discusses the challenges of integrating the work of multiple facilities for the groundbreaking Chinese-U.S. big-budget co-production.
Quebec visual effects studio teams with VFX Supervisor Louis Morin to craft 245 shots for a total of 25 minutes of screen time, including all the alien shots seen in the movie.
Quebec VFX studio has contributed work for upwards of 1,000 advertising campaigns and more than 80 features including ‘Sin City,’ ‘300,’ ‘Avatar,’ and ‘Star Wars: The Force Awakens.’
Universal’s video game adaptation directed by Duncan Jones features visual effects from Industrial Light & Magic, Hybride and Rodeo FX.
Annual voting event showcases visual effects for the Academy’s shortlisted films: ‘Ant-Man,’ ‘Avengers: Age of Ultron,’ ‘Ex Machina,’ ‘Jurassic World,’ ‘Mad Max: Fury Road,’ ‘The Martian,’ ‘The Revenant,’ ‘Star Wars: The Force Awakens,’ ‘Tomorrowland’ and ‘The Walk.’
Double Negative, Hybride, MPC and Psyop to present at the Fabric Engine User Group meeting on Tuesday August 11, from 10:00 am to 6:00 pm.