For Cheston Mizel and L.E. Staiman, adding animation to their debut live-action feature film wasn’t planned, but their absurdist retro-future rom-com needed it, so after months of 14-hour days spent learning mocap, 3D software, and Unreal Engine, and with the help of virtual experience company Hi From The Future, their hybrid satire is now available.
Tagged With: hybrid filmmaking
Creators Maddy Darrall and Billy Macqueen talk about their new live-action / CG animated kids’ series, now streaming, about 2 sisters caring for the animals on their family farm, and how ILM’s single biggest challenge… was creating Quackety Duck Duck.
Studio’s hybrid filmmaking merges two different storyboard concepts to illustrate composite portrait of lead character’s background.