Polish director Tomek Popakul’s Annie Award-nominated short film is a jagged, hypnotic Eastern European road trip viewed through a depressing but entrancing cartoon shaded daze.
Rosana Sullivan and Kathryn Hendrickson’s heartwarming short, about an unlikely connection between a stray kitten and pit bull, deftly illustrates the inherent beauty and power of 2D animated storytelling.
Dutch filmmaker Floor Adams talks about her award-winning short film filled with the heartbreak and humor of living with Asperger’s syndrome.
Production designers Szymon Biernacki and Marcin Jakubowski helped create an innovative, distinctive 2D aesthetic for Sergio Pablos’ delightful new Christmas film, now showing on Netflix.
OLM’s 2017 Malaysian studio expansion provides a new pool of talented artists they can quickly and efficiently train on the digital paint tools used to produce their signature hand-drawn anime look.
Celsys’ all-in-one paint tool provides intuitive, customizable features that help transfer an artist’s touch to their graphic design, manga/comics, animation or other digital art.
Debuting today on Netflix, the ‘Despicable Me’ co-creator’s passion project, almost 10 years in the making, shows that with hard work, patience and a bit of new technology, 2D animated filmmaking is as compelling, and spellbinding, as ever.
Jared Stern's whimsical new animated series, launching November 8, addresses Dr. Seuss’ age-old questions… will you eat it in a box? Will you eat it with a fox?
In the first of a new ‘quick and dirty’ animation production spotlight series, Ritzy Animation’s Dan Edgley and Charlie Batho allow their team a mere 32 hours to produce something deliciously sinister.
Minnow Mountain director Craig Staggs and producer Steph Swope talk hand-drawn frame by frame animation and their unique contribution to Amazon Prime’s acclaimed new series.
The acclaimed animator celebrates his deal with the multi-platform media company, talks about his latest work, and tells a very scary horror story.
New system from studio behind ‘BLAME!’ and ‘GODZILLA: Planet of the Monsters’ supports diverse visual styles, including cel shading, which replicates the look of hand-drawn cel animation in 3D.
‘Celebrity Deathmatch’ creator Eric Fogel brings the off-beat tales of Hale’s gangly, cheerful and boldly enthusiastic young chicken to life in the new Netflix Original Series from DreamWorks Animation.
The fight against the First Order continues this fall as Disney Channel announces the Emmy-nominated series’ final season return.
Debuting today on Netflix, Joe Murray’s animated special introduces a new generation to his zany 1993 Nicktoon series’ O-Town characters, who return home after 20 years in space.
Filmmaker talks about his inspiration for Short Circuit program’s new VR experience and the differences between storytelling in virtual reality versus other media.
Bruce Wright’s film about a playful puppy and pompous dragon combines hand-drawn animation with innovative VR technology.
The multi-platform media company will begin launching Plympton titles on various platforms later in 2019.
Annie Award-winning ‘Gravity Falls’ director’s new ‘frog-out-of-water’ show, premiering June 17, is based on vacations he took as a kid to visit family in Bangkok, Thailand.
The acclaimed director of ‘Wolf Children’ and ‘The Boy and the Beast’ paints an intimate portrait of a young boy’s vivid imagination and how it helps him accept the arrival of his baby sister in one of the last Japanese animated features to employ hand-drawn animation.
Nine new episodes of animated fantasy series will continue the adventures of the show’s young heroes in their quest to stop an historic conflict from escalating into all-out war.
The veteran director of ‘Wolf Children’ and ‘The Boy and the Beast’ paints an intimate portrait of a young boy’s vivid imagination and how it helps him accept the arrival of his baby sister.
Executive producers Athena Portillo, Justin Ridge and Brandon Auman share production insights from Lucasfilm Animation’s new, high-flying animated series.
Veteran animator was also known for his work on ‘Heavy Metal’ and ‘Stressed Eric.’
Wonderstorm’s creative team of Aaron Ehasz, Justin Richmond and Giancarlo Volpe delve into the making of the first season of their epic series centered around three unlikely heroes and their quest to stop an all-out war.
