Sony Pictures Imageworks has just shared with AWN and VFXWorld a look at how their team, led by Oscar- and BAFTA-nominated VFX supervisor Theo Bialek, were tasked with building the planet-sized organic structure known as the Orgoscope.
From giant red spaceships to tentacled, toothy Abilisks, the studio’s VFX and animation teams, led by VFX supervisor Guy Williams and animation supervisor Michael Cozens, pull out all the stops for the final chapter of James Gunn’s MCU trilogy.
In an extensive Q & A, Senior Animation Supervisor Sidney Kombo-Kintombo and Senior VFX Supervisor Guy Williams talk about their gargantuan contributions to Marvel Studios’ 'She-Hulk: Attorney at Law,' streaming exclusively on Disney+.
In Part 2 of our interview with the Guy Williams and Mark Gee, the visual effects supervisors talk about their equally impressive non-avian creations for the critically acclaimed DCEU spinoff series now streaming on HBO Max.
Wētā FX’s Guy Williams and Mark Gee talk about bringing the scene-stealing avian sidekick to life for James Gunn's celebrated DCEU spinoff series, now streaming on HBO Max.
Group of 20 nominees draws on two decades of experience and technological advances, delivering shots that were previously unimaginable.
Oscar-nominated VFX supervisor details the myriad challenges in bringing director James Gunn’s blockbuster sequel to the screen.
The Weta Digital VFX supervisor discusses his work on director James Gunn’s latest MCU superhero franchise hit.
From fiery photorealistic oil rig disasters and fractal geometry-based inter-dimensional mind-bending psychic excursions, to a digitally recreated Carrie Fisher as young Princes Leia, this year’s crop of ten best visual effects productions presented at the Motion Picture Academy represent another reminder of the breadth, depth and range of creative artistry and talent within the industry.
