Former BOT VFX exec will lead studio’s creative, production, and sales teams while setting strategic direction; plans include increasing company profile and recruiting high-level creative and production talent.
Tagged With: Gravity
Studio’s VFX team created ominous imagery of a post-apocalyptic ‘Sick Earth,’ the Aether spaceship, and zero-G for a pregnant character’s spacewalk in the Netflix sci-fi feature.
Multi-disciplinary artist Amika Cooper, AKA blackpowerbarbie, channels ‘Lizzie McGuire,’ ‘Degrassi,’ and boomboxes for the singer’s new video, a reimagining of Jennifer Paige’s 1998 dance-pop hit.
Industry veteran with 20+ years of creative and commercial experience to bolster studio’s continued growth in animation and VFX.
VFX studio to grow staff by one-third over next few months as well as add additional space and technological resources.
VFX supervisor Mark Bakowski discusses his team’s 10,000 frame, seven-minute ISS interior sequence for Daniel Espinosa’s and Sony’s sci-fi thriller.
Warner Bros. veteran succeeds DWA founder Jeffrey Katzenberg, who stepped down from his role when the company was bought by Comcast’s NBCUniversal for $3.87 billion in April 2016.
Shanghai-based Cultural Investment Holdings to acquire 75 percent of the Oscar-winning VFX studio’s business in a deal valued at $187 million; Framestore founder & CEO William Sargent to retain minority stake.
District Court Judge John S. Tigar issues preliminary injunction blocking the use of the Academy Award-winning facial motion capture technology by all its licensees, including Digital Domain.
Max Solomon, an animation supervisor at Framestore, discusses his work as on 'Jupiter Ascending' and 'Gravity.'
Oscar-winning cinematographer previously awarded in the ASC feature category for ‘Gravity’ and ‘Birdman.’
Prime Focus World delivers 15 minutes of stereo footage for Ridley Scott’s space epic with the help of its View-D conversion pipeline and Blackmagic Design’s Fusion Studio.
Martin Preston discusses the use of the Arnold renderer from Solid Angle on 'Gravity,’ and his role as head of research and development at Framestore.
USC’s chief visual officer Paul Debevec outlines the creative technology research underway, as well as the school’s groundbreaking work at the Oscar-winning film ‘Gravity.’
As part of AWN’s Professional Spotlight series -- a series of exclusive video interviews shot during FMX 2014 – Max Solomon, an animation supervisor at Framestore, talks about the animation, previs and onset virtual technology used on the Oscar-winning film ‘Gravity.’
Chris DeFaria, President, Animation, Digital Production and Visual Effects at Warner Bros., discusses the success of ‘Gravity,’ assessing a film’s marketability, and more as part of AWN’s series of exclusive video interviews from FMX 2014.
Disney’s ‘Frozen,’ Warner Bros.’ ‘Gravity’ and Paramount’s ‘The Wolf of Wall Street’ top the list of most pirated films in 2014.
Last year we donned 3D glasses for an IMAX showing of Gravity. Off the chart reviews. A 17 MINUTE opening shot. Unparalleled vfx. Showered with Oscars. But how is it one year later?
SIGGRAPH 2014 will offer presentations on more than 15 of the biggest current and upcoming studio productions, including ‘X-Men: Days of Future Past,’ ‘Gravity,’ ‘How to Train Your Dragon 2’ and ‘Teenage Mutant Ninja Turtles.’
Alfonso Cuaron’s ‘Gravity’ is honored with five awards at the 40th installment of the Saturn Awards, hosted by the Academy of Science Fiction, Fantasy and Horror Films.
The Academy to present an in-depth look at the groundbreaking production methods used in the Oscar-winning film Gravity featuring an on-stage discussion with members of the film’s creative teams.
Conference on Animation, Effects, Games and Transmedia to spotlight virtual production in Gravity, Avatar 2 and more with speakers including Chris DeFaria, Tim Webber and Jon Landau.