Studio delivers 50 shots that include CG characters, digital water and explosions, plus set and crowd extensions on Apple TV+’s Emmy Award-winning post-apocalyptic dystopian drama.
The long awaited second and final season has finally arrived, rolling out 2 episodes per week starting next month; Orlando Bloom and Cara Delevingne return to the fantasy world where humans and fae collide.
For the Netflix series’ third and final season, the studio produced visual effects on 65 shots across 3 episodes, using Maya, Houdini, Nuke and 3DEqualiser to design and create new threats and looming dangers, including a battle with a mechanical claw-tipped arm.
The VFX studio was instrumental in balancing realism with fantastical elements in the IMDb TV teen spy series’ second season; check out the breakdown reel.
The Lovie Award-winning ‘official announce trailer’ is a tongue-in-cheek parody that mocks common tropes used in game promotion – the hero can’t be seen because the game’s design, story, and gameplay aren’t yet ready!
VFX studio Goodbye Kansas’ Jonas Skoog and Goran Milic share their insights on the pipeline, tools, and ongoing development needed to create CG humans that look real and emote believably.
Goodbye Kansas Studios delivers a hallucinogenic trip complete with trippy effects, speaking animals, and psychedelic glitter, in Sarah Adina Smith’s drama about two elite ballet dancers forced to compete for a prestigious job.
As the main visual effects vendor, the company’s London studio creates a digital Trident nuclear sub and water effects for the BBC’s new conspiracy thriller series.
The company’s London and Stockholm offices delivered 229 VFX shots and 20 assets for the Netflix crime drama about the Baker Street Irregulars, based on the works of Sir Arthur Conan Doyle.
Martin Hobbs steps down after 5 years at the helm to pursue an outside position; company’s former studio director takes over the MD role.
Studio delivers 268 shots as primary vendor on the Netflix drama, helping visualize souls leaving their bodies with innovative 2.5D approach.
The famed Swedish artist and Jens 'Duvchi' Duvsjö, with support from Staffan Linder and Goodbye Kansas Studios, discuss their collaborative creative process in depicting a mesmerizing VFX sequence that awakens prehistoric creatures.
Goodbye Kansas recreates the legendary fortress of Arthurian mythology in the new fantasy adventure series based on Frank Miller’s graphic novel.
Fast growing Swedish VFX and CGI company Goodbye Kansas has replaced previous brands Fido, Bläck, Imagination Studios and Pixel Grinder with Goodbye Kansas Studios, an integrated company consisting of 150 artists and producers.
