SHIPPING + HANDLING Adds Jerry Spivack, Michael Pethel and Matthew Schwab
Three veteran creatives join West Coast office of post-production company specializing in VFX, animation and coloring.
Three veteran creatives join West Coast office of post-production company specializing in VFX, animation and coloring.
Shanghai-based production company delivers VFX-driven spot featuring swordplay, lava monsters and plenty of mayhem to promote computer maker’s Predator line of gaming hardware.
Epic conclusion to 11-year MCU ‘Infinity Saga’ now available, stuffed with hours of different fan-favorite extras based on version and format bundling.
Australian studio tackles 100 shots on Marvel’s hit superhero action-adventure sequel to ‘Spider-Man: Homecoming.’
Art director Chad Hurd and associate art director Justin Wagner share 26 storyboards from Season 10 of Adam Reed and FXX’s hit animated comedy series.
Chad Hurd and Justin Wagner share artwork and creative insights on our favorite FXX animated misfit ensemble that has taken its incessant backbiting to the Cosmos in a new season of robots, aliens, space battles, excessive drinking and boner references.
The studio revisits and revamps Hulk, Marvel’s smash-‘em-up, fan-favorite digital character they first brought to the screen back in 2003.
With a 'snap,' Weta Digital helps brings closure to both Josh Brolin’s seemingly unstoppable villain and the foundational storyline from the MCU’s first 10 years.
Studio delivers 300 VFX shots, including never-before-seen Bruce Banner / Hulk hybrid, for Anthony and Joe Russo’s box office smash ‘Infinity War’ follow-up.
Acclaimed creature FX studio co-produced and created puppets, prosthetics, animatronics and more for the Netflix feature.
Call was expected after network put production on hiatus in November after the comic confessed to sexual misconduct.
Animal Logic animation director Matt Everitt, FX supervisor Miles Green and CG/VFX supervisor Greg Jowle discuss the unique challenges of crafting ‘The LEGO Ninjago Movie.’
Newly-launched festival hosts the U.S. premiere of The Weinstein Company’s ‘Leap,’ along with a presentation from animation director Ted Ty of L’Atelier Animation.
Executive producer Matt Thompson and art director Chad Hurd share artwork and behind the scenes production insights into the highly-stylized Season 8 visual redesign.
Season 8 may be just a hard-boiled film noir private eye thriller, but Mother’s a crime boss, Pam might be a man and all hell is surely gonna break loose.
Along with a slew of VFX breakdown videos and images, ‘Piper’ supervising technical director Brett Levin details the tools and techniques employed on director Alan Barillaro’s Oscar-nominated CG short.
Acclaimed creature effects studio currently in production on special effects for ‘Underworld: Blood Wars,’ ‘ Legion,’ ‘The Expanse’ and ‘Prison Break.’
Working alongside production VFX supervisor Erik Nordby, MPC VFX supervisor Pete Dionne and VFX producer Tomi Nieminen oversaw a team of around 600 artists to create more than 1,100 shots for director Morten Tyldum’s space adventure.
Led by VFX supervisor Andrew Morley, Cinesite delivers just under 100 shots for ‘Fantastic Beasts and Where to Find Them,’ including environments of prohibition-era Manhattan, set extensions and the creation of a magical dinner.
Sky Cinema enlists production company Blinkink and visual effects specialists nineteentwenty to deliver their Christmas movie premieres in one seamless winter wonderland.
Award for Outstanding Animated Program goes to FX’s Archer; ‘Robot Chicken Christmas Special: The X-Mas United’ wins Outstanding Short Form Animated Program; Seth MacFarlane wins award for Outstanding Character Voice-Over Performance for FOX’s ‘Family Guy.’
Nominations for Outstanding Animated Program are given to FX’s ‘Archer,’ Disney’s ‘Phineas and Ferb Last Day of Summer,’ Comedy Central’s ‘South Park’ and Fox TV’s’ Bob’s Burgers’ and ‘The Simpsons.’