Presented by the Savannah College of Art and Design, the annual festival, set for October 23-30, will feature film screenings, panel discussions, and workshops.
Tagged With: FX
VFX certificate and A.A.S. degree students receive hands-on mentorship and learn essential skills from industry experts that prepare them for future careers in the thriving VFX industry.
Company continues to expand its teams across creative, support, and production departments to service growing slate of film and TV projects; Kevin Mah joins as head of FX, Wassila Lmouaci and Marie-Ève Authier as VFX producers, and Sandra Najem as head of HR.
Network announces new season premiere date as part of summer slate reveal, though no official word on how star Jessica Walter’s passing will be handled.
Effects supervisor Jon Reisch drew on his experience as a guitarist to develop ocean wave simulation controls, much like sliders on an equalizer, to hit director Enrico Casarosa’s mark for an expressive, lyrical Japanese woodblock look, in the studio’s upcoming animated feature.
The acclaimed producer’s new music video, animated by FISE and GASOLINE, captures the experimental bass and exciting, Daft Punk-like melody from the track off his new ‘Parallel:S’ EP.
The husband-and-wife team move from orchestra to rock, electronic, and hip-hop as they score the hit DreamWorks Animation series, working to ensure the music sounds similar, but not the same, as the huge ‘Fast & Furious’ feature film franchise that started it all.
Multi-year agreement covers theatrical releases from 2022-2026 following each films Pay 1 TV window; deal grants Disney rights to iconic library titles, including the ‘Jumanji’ and ‘Hotel Transylvania’ franchises.
According to veteran producer John Evershed, streamers and broadcasters have ordered more than 100 new series across different genres, an incredible 100% increase from a year ago.
The studio’s exceptional talent is recognized in 14 different categories, 20 noms in all, for nine different shows, including their latest franchise efforts with the ‘The Croods,’ ‘Trolls,’ ‘She-Ra,’ Guillermo Del Toro’s ‘Tales of Arcadia,’ and the dinosaurs of ‘Jurassic World.’
Smoking wheels and burning rubber barely scratch the visual effects surface of DreamWorks Animation and Netflix’s high-horsepower street racing thriller, nominated for a Best FX for TV/Media Annie Award for the third season ‘Sirocco Fire Explosion’ finale.
Whether its dramatic water splashes, dino drool, or bioluminescent beasts, DreamWorks Animation and Netflix’s adventure series, nominated for a Best FX for TV/Media Annie Award, strives for realistic visual effects that push the story forward through color and lighting.
By using distinctive visual effects as a core series element, almost as a ‘character’ itself, Guillermo del Toro and Netflix’s Emmy Award-winning animated series has garnered an Annie Award nomination for Best FX for TV/Media.
This year’s batch of Annie Award-nominated animated short films once again demonstrates that you’ll often find the most powerful storytelling in the smallest of packages.
German visual effects studio's new highlight reel showcases their work on funky ‘60s planet, menacing robots, and White Room prison cell from hit HBO horror fantasy series.
The two-week program will help film and television professionals move into real-time visualization and virtual production; free for freelancers and furloughed workers, the program runs March 15-26.
Industry veteran brings expertise in digital production and original IP development; will be tasked with advancing the studio’s vision and distinct approach to animation.
Former FX executive, who helped launch network’s ‘Cake’ animation and live-action anthology series, will oversee animated feature and short film slate for J. J. Abrams' production company, including Dr. Seuss’ ‘Oh, the Places You’ll Go!’
‘Star Wars’ effects veteran Phil Tippett reveals the use of stop-mo animation for scrapwalkers in ‘The Believer’ episode of the hit Disney+ series.
The VFX powerhouse delivers a bustling Santa’s village, both North and South Poles, and cute and quirky digital characters including Belsnickel, his Jack-a-lotes, reindeer, a Yule Cat Jola, and 641 elves, in the Netflix holiday adventure.
With Season 11 total viewership up 32%, Adam Reed, Matt Thompson, and Floyd County’s Emmy Award-winning hit animated spy spoof gets picked up for another post-coma season.
VFX supervisor Goran Backman details the studio’s creature and environment work on Jon Favreau, Lucasfilm and Disney+’s VES and Emmy Award-winning hit space-adventure series.
Art director Justin Wagner and associate art director Chi Duong Sato share an extensive set of high-octane storyboards, environments and concept art from Season 11 of Adam Reed and FXX’s hit animated comedy series.
Justin Wagner and Chi Duong Sato share artwork and creative insights as FXX’s hit animated comedy awakens from a 3-season coma and returns to the good old fashion, sexually charged, bickering filled, often drunkenly performed business of espionage.