Industry veteran brings expertise in digital production and original IP development; will be tasked with advancing the studio’s vision and distinct approach to animation.
Tagged With: FX
Former FX executive, who helped launch network’s ‘Cake’ animation and live-action anthology series, will oversee animated feature and short film slate for J. J. Abrams' production company, including Dr. Seuss’ ‘Oh, the Places You’ll Go!’
‘Star Wars’ effects veteran Phil Tippett reveals the use of stop-mo animation for scrapwalkers in ‘The Believer’ episode of the hit Disney+ series.
The VFX powerhouse delivers a bustling Santa’s village, both North and South Poles, and cute and quirky digital characters including Belsnickel, his Jack-a-lotes, reindeer, a Yule Cat Jola, and 641 elves, in the Netflix holiday adventure.
With Season 11 total viewership up 32%, Adam Reed, Matt Thompson, and Floyd County’s Emmy Award-winning hit animated spy spoof gets picked up for another post-coma season.
VFX supervisor Goran Backman details the studio’s creature and environment work on Jon Favreau, Lucasfilm and Disney+’s VES and Emmy Award-winning hit space-adventure series.
Art director Justin Wagner and associate art director Chi Duong Sato share an extensive set of high-octane storyboards, environments and concept art from Season 11 of Adam Reed and FXX’s hit animated comedy series.
Justin Wagner and Chi Duong Sato share artwork and creative insights as FXX’s hit animated comedy awakens from a 3-season coma and returns to the good old fashion, sexually charged, bickering filled, often drunkenly performed business of espionage.
The acclaimed two-day event, being held online for the first time, will feature exclusive screenings, panels, and presentations from top talent like ‘Star Trek: Lower Decks’ creator Mike McMahan and ‘Undone’ co-creators Raphael Bob-Waksberg & Kate Purdy.
With Season 11’s launch just around the corner on September 16, FXX drops a new featurette that amply illustrates just how funny, and wicked, Adam Reed’s animated spy-spoof can be.
The studio, led by VFX supervisor Bojan Zoric, delivered 170 shots as the sole visual effects house on the Judd Apatow comedy starring Pete Davidson as a wannabe tattoo artist drifting through a life of little achievement.
Celebrated musician teams with Brazilian studio Zombie on beautifully designed CG animated video chronicling rampant Amazon deforestation.
Simon Pegg and Jamie Lee Curtis will guest star as Comic-Con panel shares plenty of hit FXX show reveals and a new trailer.
German visual effects studio shares new highlight reel showcasing nearly 200 shots spread over three episodes of the hit futuristic HBO series.
New season, pushed from previously scheduled May 6 premiere by COVID-19 shutdowns, premieres later this year; cast member online panel set for July 24.
New animated FX comedy series will follow the Devil’s plight as he tries to gain custody of his Antichrist daughter’s soul.
The fine folks over at FX Networks have shared six office background files they’ve been using in-house to bring a small ‘Danger Zone’ taste to their online chats, meetings, and digital efforts to stay connected.
Real-time creative review tool works with Unreal Engine, Unity 3D and Autodesk Maya, reflecting changes instantly across platforms.
Led by VFX supervisor Derek Spears, the studio filled the sea and sky around Midway Atoll with the devastating tools and action of war in Roland Emmerich’s harrowing tale of the decisive 1942 battle between the U.S. and Japan in the Pacific Theatre of WWII.
VES Award nominee Matt Welford describes ‘supporting visual effects,’ including previs and techvis, on the inaugural episode of the ‘Aquaman’ star’s hit post-apocalyptic action-adventure series.
Cute CG short about hijinks on the high seas from six ESMA students snags a VES nomination for Outstanding Visual Effects in a Student Project.
Jennifer Lee and Chris Buck’s hit sequel passes $1.32 billion at the worldwide box office; Disney/Pixar now holds top three spots on list of most successful animated feature films in history.
VFX supervisor Matthew Welford and his Vancouver team create realistic rock wall avalanche for inaugural episode of Jason Momoa’s new series.