The visual effects studio creates 334 shots for Season 2 of Brian Young and Netflix’s coming-of-age fantasy adventure about teenage fairies learning to master their powers while navigating love, rivalries, and a flock of bug-like Scrapers at their magical boarding school.
VFX Supervisor David Bowman and VFX Producer Hannah Dakin will help expand studio’s film and episodic division; company will soon move to a new facility boasting state-of-the-art production servers and workstations to streamline workflow and increase capacity.
For VFX supervisor Rob Delicata, a much darker new season narrative meant more dramatic visual effects were needed to drive Alfred Pennyworth’s ongoing story of an alternate 60’s London embroiled in a devastating civil war.
Studio’s Futurefolk initiative is designed to help find the next generation of visual effects talent; applicants being considered for a one month paid internship.
Studio delivers 300 shots, including bullet hits, explosion enhancements, and driving comp interiors, on Warner Horizon’s episodic crime drama from the writers of ‘Gotham.’
Soho VFX studio renames longform team Freefolk Film & Episodic, promoting Steve Murgatroyd and Meg Guidon to lead the new group.
Creative studio produces wall-to-wall bathroom aquarium complete with rocky seafloor, dense schools of tropical fish, and massive, unexpected and rather toothy great white shark.
VFX supervisor Ivor Middleton details the production of CG creatures, floating people, and a serpentine British island causeway in the Sky / HBO psychological thriller.
Studio delivers 200 shots, during lockdown, on new Netflix fantasy adventure series based on Frank Miller's young adult novel.
TNT’s ‘The Alienist’ awarded for outstanding special visual effects in a supporting role for “The Boy on The Bridge.”
