Framestore Creates CG Fish for Three
Framestore collaborates with Boys and Girls to develop a 30’ spot for Three Ireland's new ‘all you can eat everything' plan.
Framestore collaborates with Boys and Girls to develop a 30’ spot for Three Ireland's new ‘all you can eat everything' plan.
Framestore's LA operation announces the opening of its new permanent home: a specially designed and ultra-spacious studio in Culver City, heartland of the moving image.
Digital Producer Christine Cattano joins Framestore NY to serve as production lead on digital and integrated projects.
In just eight weeks, Framestore deliveres 113 shots for Marvel’s “Iron Man 3,” including helping to set the look for one of the movie’s key effects – Extremis.
Visual effects company Framestore wins two awards for Best Visual Effects at the Clios, taking silver for Qualcomm Snapdragon “Coming Soon” and bronze for the groundbreaking simulation VFX used to dismantle the Nissan Altima in “Wouldn’t It Be Cool.”
In one of the first effort to come out of Framestore's new LA studio, Framestore teams up with 180LA and Pepsi on a new advertising campaign featuring Beyoncé.
Framestore’s New York office creates 35 minutes of effects, opening titles for Alex Gibney’s Wikileaks documentary, “We Steal Secrets.”
Framestore’s VFX work on “Lincoln” is all about assisting the filmmakers in an invisible way by recreating America as it was in 1865, ripped in two by civil war.
Framestore announces the opening of its Montreal office, which will accommodate confirmed film VFX work for 2013.
Framestore teams with Buzz Aldrin, BBH, Biscuit London, Blink and Caviar Content to create an all new campaign promoting an out-of-this-world competition from Axe.
Framestore teams with Daniel Kleinman to deliver a spectacular opening title sequence for “Skyfall.”
This October, Escape Studios hosts the first-ever VFX festival in London, celebrating a decade of VFX excellence in the UK.
Framestore is partnering with McLaren Group, the Woking-based family of niche high-tech companies, to launch a brand new media company called McLaren Animation.
Visual effects company Framestore announced the appointment of two high-profile names from the world of digital craft innovation: interactive producer Jonny Dixon and interactive director Robin Carlisle.
Framestore is further strengthening its CG department and integrated offering by hiring Liz Oliver, a CG line producer with extensive experience in multiplatform disciplines.
Led by visual effects supervisor Jonathan Fawkner, Framestore created some 300 shots for the Warner Bros. feature “Wrath of the Titans."
Framestore is promoting Jon Collins, currently Founder and President of Framestore’s New York operation, to the newly created role of President of Integrated Advertising (Worldwide).
Framestore’s highly talented artists have been nominated for three VES awards in categories stretching across features and commercials.