Marvel Drops New Trailer for ‘Ant-Man and The Wasp: Quantumania’
The MCU Phase 5 kicks off this February with the third installment of the ‘Ant-Man’ franchise; Paul Rudd and Evangeline Lilly reprise their titular roles.
The MCU Phase 5 kicks off this February with the third installment of the ‘Ant-Man’ franchise; Paul Rudd and Evangeline Lilly reprise their titular roles.
After debuting in November, the hugely popular series has been picked up for a second season, promising more mystical mayhem as the deadpan eldest daughter of the Addams Family continues her ‘tortuous journey’ at the spooky prep school, Nevermore Academy.
The highly anticipated series, focused on the deadpan eldest daughter of the Addams clan, premieres November 23.
The Fuse Group VFX company expands with new India-based studio, increasing overall resources for affiliated brands, including FOLKS, FuseFX, Rising Sun Pictures, and El Ranchito; Griboshin 'Grib' Vellanthrov joins as head of studio.
The visual effect studio creates the Kugelblitz, a pulsating orb that destroys everything in its path with increasing blasts of energy – the Kugel Wave - as well as a numerous ravens summoned from Sparrow Academy Number Three Fei’s body, in the hit dysfunctional superhero comedy adventure, now streaming on Netflix.
The famed director’s twisted series gives new life to the ghoulish ‘Addams Family’ clan while charting the supernaturally infused mystery of Morticia and Gomez Addams’ angsty daughter’s years at the Nevermore Academy; coming to the streamer this Fall.
Company veteran succeeds Sebastien Bergeron, recently named CEO of the parent company that also owns FuseFX, Rising Sun Pictures, and El Ranchito.
The co-founder of recently acquired VFX studio FOLKS will succeed David Altenau, who’ll become Chairman of the parent organization that also includes FuseFX and Rising Sun Pictures.
VFX supervisor Laurent Spillemaecker and his Montreal team turned Toronto into early 1960s Dealey Plaza and surroundings with an exacting, detailed set of CG environments, people and digital assets.
VFX supervisor Everett Burrell breaks down the Netflix series’ almost 2,000 VFX shots, a mix of nuclear holocausts, digital characters, time jumps, and a goldfish.