Indie animator harnessed NVIDIA Omniverse and fully ray-traced VR to create 3DCG show about vibrant characters who use the power of art to solve the world’s problems; platform’s native VR USD composer supports interactive real-time scene assembly.
The festival wrapped its 30th edition with an April 30 ceremony honoring winners of the main competitions, with Priit Tender and José Miguel Ribeiro, respectively, taking home the big awards.
Oscar-winning British-Czech animator, director, and screenwriter – known for Pixar’s Ratatouille and Gerri’s Game - takes the reigns in June, promising to remain faithful to his predecessor Andreas Hykade’s principal ‘The person is more important than the project.’
Wētā FX ‘Avatar: The Way of Water’ panels added to a vast array of already confirmed programming for the upcoming 4-day hybrid event, running April 25-27 and online April 28 in Stuttgart.
Part of the 17th Animation Production Days running April 26-28 in Stuttgart, the conference takes place on April 26 and offers animation professionals a platform to discuss current developments in the industry.
The 4-day hybrid event, which runs April 25-27 and online April 28, revealed more on-site programming, including sustainability in media productions panel, VFX insights into HBO’s ‘The Last of Us,’ challenges of adapting literature into animation and games, and masterclasses with Ed Hooks and Craig Caldwell.
The 4-day hybrid event runs April 25-27 in Stuttgart, with an exclusive online day April 28.
A full slate of animated films vie for the coveted Trickster Award in the international feature-length film competition at the Stuttgart International Festival of Animated Film, running April 25-30.
The 4-day hybrid event returns to Stuttgart April 25-27 with an exclusive online day April 28; confirmed presentations include the creative and technical journey of Netflix’s ‘1899’ and Digital Domain’s use of Charlatan, its neural network for ‘deep fake’-like face replacements on Disney+’s ‘She-Hulk: Attorney at Law.’
