VFX studio contributed to over 1,000 shots across 28 sequences on the Oscar-winning film, with artists working from multiple locations using NVIDIA’s virtual workstation software and hardware.
Tagged With: film VFX
From functional wingspans to alien throat anatomy, DNEG animation director Robyn Luckham discusses his work on Denis Villeneuve’s masterful epic adaptation of the Frank Herbert sci-fi classic.
Denis Villeneuve’s hit sci-fi epic, based on the seminal Frank Herbert books, arrives for digital ownership on December 3 and 4K, Blu-ray and DVD on January 11, 2022, complete with special bonus features.
Two of the director’s previous collaborators - production designer Patrice Vermette and editor Joe Walker - along with first timer, cinematographer Greig Fraser, teamed together to help him bring author Frank Herbert’s famed sci-fi novel, long thought unadaptable in cinema, to the screen.
For Oscar-winning VFX supervisor Paul Lambert and SFX supervisor Gerd Nefzer, the seamless blending of live-action and CG on Denis Villeneuve’s stunning, epic adaptation of Frank Herbert’s seminal sci-fi tome grounded the film in a believable reality, fully immersing audiences in Paul Atreides’ hero’s journey to the dark, foreboding conflict on the universe’s most dangerous planet.
Denis Villeneuve’s adaptation of Frank Herbert’s seminal sci-fi tome follows Paul Atreides hero’s journey to the dark, foreboding conflict on the universe’s most dangerous planet; film hits theaters and HBO Max on October 22.
Los Angeles-based Natasha Gould will lead business development on the west coast; Martin Perkins has been named the studio’s new business and bidding manager for the London office.
‘Blade Runner 2049’ director Denis Villeneuve takes the helm of the latest big-screen adaptation of Frank Herbert’s classic sci-fi bestseller, and it looks dark, brooding and utterly inviting.
The studio, led by VFX supervisor Bojan Zoric, delivered 170 shots as the sole visual effects house on the Judd Apatow comedy starring Pete Davidson as a wannabe tattoo artist drifting through a life of little achievement.
German visual effects studio releases new video highlighting their work on Idris Elba’s full throttle daredevil motorcycle pursuit through London, in David Leitch and Universal Pictures’ hit action-adventure.
Jennifer Lee and Chris Buck’s hit sequel passes $1.32 billion at the worldwide box office; Disney/Pixar now holds top three spots on list of most successful animated feature films in history.
Veteran VFX supervisor Steve Goldberg returns to Arendelle to once again wrangle resources for a formidable array of challenging effects sequences.
'Pretty Little Lies' co-star just cast as Selina Kyle, alongside Robert Pattinson’s Bruce Wayne, in Warner Bros.’ ‘The Batman,’ coming to theaters June 25, 2021.
Influential 1982 sci-fi classic ‘Blade Runner’ depicts the futuristic fashion of November 2019, and we have failed its vision.
Studio looking for animation talent proficient in Motion Builder and Faceware pipeline procedures for immediate project work at their Marina Del Rey facility.
VFX producer Michael Perdew shares how Google Cloud was integral in the studio’s Air and Fire Elementals production work on the hit superhero action adventure.
Hitting U.S. theatres December 20, Episode IX’s epic conclusion to the original ‘Star Wars’ cinematic saga draws ever closer.
Splashy presentations of new series set within Star Wars, Marvel and Pixar franchise worlds teases both fans and industry with previously unannounced details about the studio’s aggressive new streaming platform programming plans.
Studio’s flagship Los Angeles office has a number of job openings and is currently looking for talent to work on a high-profile episodic TV show and other projects.
German visual effects studio releases new video highlighting their creature work on the final Blood Queen fight sequence in Neil Marshall's supernatural superhero adventure remake.
VFX powerhouse DNEG has shared 106 images with AWN, showing in extensive detail some of the concept art and VFX imagery their team, led by VFX supervisor Alessandro Ongaro, produced for Sony Pictures Imageworks on the latest 'MiB' franchise hit, 'Men in Black: International.'
VFX supervisor Jerome Chen discusses staying true to the ‘MiB’ franchise look, and meeting audience expectations, while producing 2,000 visual effects shots in only six-months.
Australian studio tackles 100 shots on Marvel’s hit superhero action-adventure sequel to ‘Spider-Man: Homecoming.’
Studio’s Santa Monica headquarters has a number of job openings, including Previs/Postvis and Unreal Game Engine Artists, and is currently looking for talent to join their industry leading visualization services team.