Foreign film category is expanded to include separate awards for narrative, animation and documentary entries.
Interactive 360-degree video and Virtual Reality experience tied to the upcoming live-action film now also available in select IMAX theaters at AMC locations across the U.S.
Opened in 2009, DNeg’s Singapore facility has been involved in production of visual effects for films including ‘Godzilla,’ ‘Man of Steel’ and ‘The Hunger Games: Mockingjay’ Parts 1 & 2.
New ‘religious freedom’ bill protects religious officials from having to perform same-sex marriage ceremonies, and would allow faith-based organizations to deny services or employment to those who violate their ‘sincerely held religious belief.’
Animated Bedtime Stories shorts bolster an over-the-top tug-of-war for the kids’ attention in the Paramount feature starring Mark Wahlberg and Will Ferrell.
Just days after director Mark Osborne reveals that that Paramount Pictures will no longer be distributing the stop-motion/CG-animated hybrid feature, Netflix swoops in to save the day.
Former Sony Pictures Imageworks CTO and Visual Effects Supervisor helped launch ILMxLAB, and has worked on films such as ‘Men in Black 3,’ ‘The Amazing Spider-Man’ and ‘Cloudy With A Chance of Meatballs.’
Montreal-based visual effects house goes from wireframe to mayhem with a new VFX breakdown for director Tim Miller’s ‘Deadpool.’
Acclaimed VFX supervisor Steve Begg and renowned actor Jim Broadbent to receive inaugural awards.
Director Mark Osborne confirms that France’s most expensive animated feature to date has been pulled from U.S. theaters one week ahead of its release.
New trailer for the stop-motion/CG-animated hybrid feature showcases dramatic camera work, elaborate visuals and epic-scale storytelling.
AWN editor-in-chief Dan Sarto reports on the backstage antics at the 88th Academy Awards, talking to Oscar winners Gabriel Osorio and Pato Escala, ‘Inside Out’s Pete Docter and Jonas Rivera, and ‘Ex Machina’ VFX supervisor Andrew Whitehurst.
Oscar gold: Pixar Animation Studio’s ‘Inside Out’ wins best animated feature and Gabriel Osorio and Pato Escala’s ‘Bear Story’ wins best animated short; ‘Ex Machina’ wins VFX prize.
Autodesk and Shotgun Software play a supporting role in the creation of some of the year’s most lauded films and TV series.
Blur Studios employs NVIDIA’s GPU-powered rendering solutions to provide cinema-quality previsualization shots of the action-packed 90-second opening sequence in Tim Miller’s ‘Deadpool.’
Former Digital Domain chief creative officer to oversee Industrial Light & Magic’s Vancouver facility, supervising effects work and providing creative oversight across all of the studio’s projects.
Australia and U.S.-based visual effects house delivers extensive CG environments, a CG Ant-Man, CG ants, and compositing work for Peyton Reed’s Marvel blockbuster.
Jeffrey Katzenberg-led animation studio reports revenues of $319 million, with $48 million in net income to cap year of restructuring; stock earnings of 55 cents per share exceed analyst expectations of just 16 cents.
Sneak preview presentation at Disney’s El Capitan Theater with director Jon Favreau and visual effects supervisor Rob Legato unveils stunning live-action/CG hybrid environments and characters.
New trailer offers scenery a-plenty, along with close looks at the human cast, but offers precious little in terms of dragon sightings.
‘Stick Man,’ ‘Shaun The Sheep: The Movie’ and ‘Children of the Holocaust’ battle for honours in Best Long Form; ‘Clangers,’ ‘Hey Duggee’ and ‘Lily’s Driftwood Bay’ nominated in Best Preschool; ‘Amazing World of Gumball,’ ‘Scream Street’ and ‘Rastamouse’ lock horns for Best Children’s Series.
Deadline for submissions to the Disney Art Challenge is April 15; public voting for 10 shortlisted entries takes place July 4-23.
Directed by Denis Villeneuve and starring Ryan Gosling and Harrison Ford, ‘Blade Runner 2’ arrives in theaters on January 12, 2018 with original director Ridley Scott on board as an executive producer.
Zazzera previously led production for title sequences for ‘Captain America: The Winter Soldier,’ ‘Guardians of the Galaxy’ and ‘Ant-Man.’
Cinesite delivers digital environments, digital make-up and prosthetics, decapitation and limb removal, crowds of computer generated rampaging zombies, and flashbacks to London burning during an attack for zombie-themed reimagined classic.
