Growing Montreal team to spearhead visual effects for Lionsgate’s forthcoming supernatural action film, ‘The Last Witch Hunter.’
Tagged With: Feature Films
The marketing push for Marvel Entertainment’s forthcoming ‘Ant-Man’ feature begins in earnest with a new ant-sized poster, an Entertainment Weekly cover, and the first full-blown trailer.
‘Birdman,’ ‘The Grand Budapest Hotel,’ ‘The Imitation Game,’ ‘Mr. Turner’ and ‘Unbroken’ vie for top honors from American Society of Cinematographers.
Production puppets, models, props and original handmade art from Oscar-nominated animation studio to be auctioned on February 12, 2015.
Led by VFX supervisor Mark Stetson, Vancouver and Los Angeles studios craft 155 shots for Tim Burton’s latest live action feature.
Rupert Sanders to direct live action adaptation of the anime classic from a script written by Bill Wheeler.
Latest episode of web series produced by PBS Digital recreates the Millennium Falcon scene from the trailer for ‘Star Wars: The Force Awakens.’
Set to expire on December 31, multimillion-dollar Foreign Levies Agreement between the MPAA and the WGA and DGA is extended for another three years.
Disney’s ‘Frozen,’ Warner Bros.’ ‘Gravity’ and Paramount’s ‘The Wolf of Wall Street’ top the list of most pirated films in 2014.
Custom typography featured in now-famous title sequence animated using Adobe After Effects, Autodesk Maya, The Foundry's Nuke, and Tweak RV.
First published in 1963, Bridwell’s ‘Clifford the Big Red Dog’ series has 129 million books in print, an Emmy Award–winning television series, a motion picture and more.
Joe Strike finally takes a look at Disney’s latest “reimagineering” following its release on Blu-Ray.
Alex Pejic, Stephane Nazé, Nigel Denton-Howes and Oscar-winner George Murphy join Framstore’s London and Montreal film offices.
Creative studio continues to grow its feature and episodic television visual effects team with the addition of VFX Supervisor Andrew Sagar.
The deadline for entries to the 30th anniversary edition of the Holland Animation Film Festival is Monday, December 1, 2014.
Last year we donned 3D glasses for an IMAX showing of Gravity. Off the chart reviews. A 17 MINUTE opening shot. Unparalleled vfx. Showered with Oscars. But how is it one year later?
The ‘Arthur Christmas’ writer and director talks about her pioneering new studio looking to make world class CG features in London.
According to figures released at the tenth China International Cartoon and Game Expo in Shanghai, China's animation industry generated $14 billion (87 billion yuan) in revenue last year.