Short Film and Feature Animation branch set to add 37 new members, with 26 asked to join the Visual Effects branch.
Short Film and Feature Animation branch adds 39 new members, with 34 added to the Visual Effects branch; Academy cuts number of new invitees while reaffirming goals to cultivate membership that reflects the diverse film community.
Ceremony moves to March 27, 2022; film eligibility window returns to standard December 31 deadline, though requirements remain unchanged from 2021 awards.
Short Film and Feature Animation branch looks to add 81 new members; 48 proposed for the Visual Effects branch.
Film eligibility window extended for 93rd Academy Award consideration; museum opening postponed to coincide with new awards telecast date.
‘Selma’ director and Head of ILM, along with newcomers Debra Zane, Stephen Rivkin, Linda Flowers, and Lynette Howell Taylor, are part of newly elected 2020-2021 board.
Veteran casting director and board governor takes over for John Bailey.
Runoff election for Film Editors Branch set to begin Monday, June 17.
Adelaide, South Australia-based studio delivers hundreds of complex VFX shots for the latest addition to the Marvel Cinematic Universe.
Marking the company’s tenth collaboration with Marvel Studios, Munich-based VFX house Trixter delivers CG spaceships, downtown LA environments and a CG cat named Goose for ‘Captain Marvel.’
VFX supervisor Paul Lambert, DFX supervisor Tristan Myles, miniature effects supervisor Ian Hunter and special effects supervisor J.D. Schwalm receive Academy Awards for their contributions to director Damien Chazelle’s historical biopic.
Oscar-winning VFX supervisor Chris Lawrence and animation director Michael Eames oversee 727 VFX shots -- including 677 featuring creature animation -- for director Marc Forster’s heartwarming return to the Hundred Acre Wood.
Short Film and Feature Animation branch adds 105 new members; 52 new members added to the Visual Effects branch.
MPC artists deliver more than 200 shots for 20th Century Fox’s fantasy feature including digital props, set extensions and character effects as well as ‘invisible’ effects used throughout the film.
