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Pushing the Filmmaking Envelope VFXWorld

ILM’s Ian Comley and Charmaine Chan Talk ‘The Creator’ VFX

The VFX supervisors explain director Gareth Edward’s innovative, slightly radical new approach to filmmaking, a type of ‘reverse engineering,’ including the integration of visual effects, when during the process they’re created, and when it’s best not to use them, on his multiple VES Award-winning sci-fi thriller that’s been nominated for a Best Visual Effects Oscar.

In 3D, Acting, Awards, CG, Films, People, Visual Effects | VFXWorld | Special Events: Academy Awards, VES Awards | Geographic Region: All

Pushing the Filmmaking Envelope VFXWorld

How Gareth Edwards Reverse-Engineered His Filmmaking on ‘The Creator’

The director and his VFX Supervisor, Jay Cooper, explain how they completely reversed the standard production process for his sci-fi epic, employing spontaneous live-action shoots that looked cool, not controlled, with 3D environments, digital matte paintings, and many other elements on the 1,600 visual effects shots designed afterwards, not before.

In 3D, Acting, CG, Films, People, Technology, Visual Effects | VFXWorld | Geographic Region: All

Get Your Hulk-Smash On! VFXWorld

Wētā FX Works Their Smashingly Good Magic on ‘She-Hulk: Attorney at Law’

In an extensive Q & A, Senior Animation Supervisor Sidney Kombo-Kintombo and Senior VFX Supervisor Guy Williams talk about their gargantuan contributions to Marvel Studios’ 'She-Hulk: Attorney at Law,' streaming exclusively on Disney+.