VFX supervisor Paul Lambert, DFX supervisor Tristan Myles, miniature effects supervisor Ian Hunter and special effects supervisor J.D. Schwalm receive Academy Awards for their contributions to director Damien Chazelle’s historical biopic.
Industrial Light & Magic employs its traditional hybrid approach to combining practical and CG effects for grounded performances.
Events this week across the United Kingdom are part of the Anim18 celebration of British animation.
Additions celebrate group’s 20th anniversary, adding both contemporary and classic titles.
The 2017 VFX Oscar-nominated films showcase the versatility and range of visual effects artists.
You haven't experienced VR until you've experienced Noitom’s game changing immersive technology.
Twenty-first edition of European conference spotlighting animation, visual effects, games and transmedia saw a new all-time high of 3,500 attendees.
Opened in 2009, DNeg’s Singapore facility has been involved in production of visual effects for films including ‘Godzilla,’ ‘Man of Steel’ and ‘The Hunger Games: Mockingjay’ Parts 1 & 2.
Tasked with the creation of the film’s main character, an artificially intelligent android named Ava, VFX supervisor Andrew Whitehurst and the DNeg team helped make the low-budget sci-fi feature one of the standout movies of the year.
Overall VFX supervisor dishes on his stunning Academy Award win for best achievement in visual effects on Alex Garland’s sci-fi thriller.
Independent visual effects studio co-founder wins an Academy Award for Alex Garland’s ‘Ex-Machina’ alongside Double Negative VFX team members Andrew Whitehurst, Paul Norris and Mark Ardington.
London-based VFX house wins the Academy Award for best visual effects for its work on Alex Garland’s ‘Ex Machina’; DNeg previously recognized for Christopher Nolan’s ‘Inception’ and ‘Interstellar.’
AWN editor-in-chief Dan Sarto reports on the backstage antics at the 88th Academy Awards, talking to Oscar winners Gabriel Osorio and Pato Escala, ‘Inside Out’s Pete Docter and Jonas Rivera, and ‘Ex Machina’ VFX supervisor Andrew Whitehurst.
Oscar gold: Pixar Animation Studio’s ‘Inside Out’ wins best animated feature and Gabriel Osorio and Pato Escala’s ‘Bear Story’ wins best animated short; ‘Ex Machina’ wins VFX prize.
Nominees for Best Animated Feature are ‘Anomalisa,’ ‘Boy and the World,’ ‘Inside Out,’ ‘Shaun the Sheep Movie,’ and ‘When Marnie Was There.’
Annual voting event showcases visual effects for the Academy’s shortlisted films: ‘Ant-Man,’ ‘Avengers: Age of Ultron,’ ‘Ex Machina,’ ‘Jurassic World,’ ‘Mad Max: Fury Road,’ ‘The Martian,’ ‘The Revenant,’ ‘Star Wars: The Force Awakens,’ ‘Tomorrowland’ and ‘The Walk.’
Pixar’s ‘Inside Out,’ Illumination Entertainment’s ‘Minions’ and Aardman Animations’ ‘Shaun The Sheep Movie’ nominated for outstanding animated film; VFX nominees include ‘Ant-Man,’ ‘Ex Machina,’ ‘Mad Max: Fury Road,’ The Martian’ and ‘Star Wars: The Force Awakens.’
‘Ant-Man,’ ‘Avengers: Age of Ultron,’ ‘Ex Machina,’ ‘Jurassic World,’ ‘Mad Max: Fury Road,’ ‘The Martian,’ ‘The Revenant,’ ‘Star Wars: The Force Awakens,’ ‘Tomorrowland’ and ‘The Walk’ to compete at the Academy VFX bakeoff on Saturday, January 9, 2016.
‘Ex Machina,’ ‘Jurassic World,’ ‘Mad Max: Fury Road,’ ‘The Martian,’ ‘The Revenant’ and ‘The Walk’ nominated for best visual effects, ‘Anomalisa,’ ‘The Good Dinosaur,’ ‘Inside Out,’ ‘The Peanuts Movie’ and ‘Shaun the Sheep Movie’ nominated for best animated feature.
Ten shortlisted films to be announced later this month.
