Theodore Ushev: ‘The Physics of Sorrow,’ My Animated Time Capsule
In the first fully animated film using the encaustic, hot-wax painting technique, a rootless, melancholy man sifts through memories while struggling to locate home, family and self.
In the first fully animated film using the encaustic, hot-wax painting technique, a rootless, melancholy man sifts through memories while struggling to locate home, family and self.
Oscar-nominated director of ‘Blind Vaysha’ returns with harrowing tale animated using encaustic-painting technique; see the clip and breakdown of his exacting technique.