WATCH: DreamWorks Animation Unveils First Trailer for ‘Kung Fu Panda 3’
Directed by Jennifer Yuh Nelson and Alessandro Carlon, ‘Kung Fu Panda 3’ arrives in theaters on January 29, 2016.
Directed by Jennifer Yuh Nelson and Alessandro Carlon, ‘Kung Fu Panda 3’ arrives in theaters on January 29, 2016.
New original 13-episode series from the studio behind the ‘How to Train Your Dragon’ franchise premieres worldwide on June 26.
Fred Patten reviews Ramin Zahed’s new coffee-table book detailing the art of DreamWorks Animation’s surprise hit film.
Fred Patten looks at Barbara Robertson’s coffee-table book showcasing the art of DreamWorks Animation’s latest penguin adventure film
Former Pixar PR chief to lead publicity efforts for feature animation film slate as head of theatrical public relations.
Warner Bros.’ disaster film leads the North American box office with a $53.2 million domestic debut, the highest solo opening ever for star Dwayne Johnson.
Acclaimed filmmaker to write and direct feature based on award-winning children's book, ‘The Adventures of Beekle: The Unimaginary Friend,’ by Dan Santat.
Brad Bird’s ‘Tomorrowland’ suffers one of the worst Memorial Day starts in recent history with a $41.7 million North American debut. Meanwhile, ‘Mad Max: Fury Road’ speeds past the $100 million mark overseas.
Former DreamWorks Animation executive to lead global multimedia initiatives and drive omni-channel marketing for the industry’s leading catalog of anime and manga content.
Following the first ‘Avengers’ movie, Marvel’s ‘Age of Ultron’ scores second-biggest sophomore weekend of all time in North America.
Doug Cooper discusses the role of Visual Effects Supervisor at DreamWorks Animation’s as part of AWN’s series of exclusive video interviews from FMX 2014.
Co-head of fffects Scott Peterson discusses DreamWorks Animation’s CG-animated sequel, ‘How to Train Your Dragon 2,’ as part of AWN’s series of exclusive video interviews from FMX 2014.
Joss Whedon's Marvel tentpole, ‘Avengers: Age of Ultron,’ opens to $191.3 million in North America, the number-two domestic opening of all time behind ‘The Avengers.’
The Jeffrey Katzenberg-led studio exceeds analyst expectations with a 13 percent rise in revenues despite posting a $54.8 million loss for the period ended March 31, 2015.
Five new episodes of DreamWorks Animation Television’s ‘The Adventures of Puss in Boots’ returns to Netflix on May 8.
Amazon’s stop-motion series ‘Tumble Leaf’ receives five Emmys, including outstanding preschool children’s animated program; Netflix wins three awards for DreamWorks Animation’s ‘All Hail King Julien,’ and Moonbot’s collaboration with Dolby, ‘Silent,’ garners two awards for YouTube.
Universal’s ‘Furious 7’ takes first place at the domestic box office with $18.3 million; a week ahead of its U.S. Marvel tentpole ‘Avengers: Age of Ultron’ debuts in 44 international markets, earning $201.2 million.
DreamWorks Animation and distribution partner 20th Century Fox move ‘Kung Fu Panda 3’ up from March 18, 2016 to January 29, 2016.
Universal’s ‘Furious 7’ wins its third consecutive weekend at the North American box office this with $29.1 million; jumps the $1 billion mark globally with $1.153 billion in worldwide ticket sales.
New original series based on DreamWorks Animation’s ‘How to Train Your Dragon’ premieres worldwide on June 26.
Lawsuit contended that the roots of the anti-poaching agreements went back to the mid-1980s, when George Lucas and Ed Catmull agreed to not raid each other’s employees.
Thirteen-episode run of ‘Dragons: Race to the Edge’ will serve as a prequel to the second installment of the beloved ‘How to Train Your Dragon’ franchise.
The widest release in Universal’s history, ‘Furious 7’ races to a $146.5 million debut at the North American box office and $240.4 million overseas for a massive worldwide launch of $387 million.
Tim Johnson’s ‘Home’ marks the best opening for a DWA film since ‘Madagascar 3: Europe's Most Wanted,’ in 2012, and the third-best showing ever for an original DWA title after ‘Kung Fu Panda’ and ‘Monsters vs. Aliens.’
The veteran DreamWorks Animation director discusses the film’s eight-year journey from children’s book to big screen.