VFX supervisors Sebastian von Overheidt and Benoit De Longlee delivered 739 shots, including a 90-second sequence of heroes Nathan Drake and Chloe Frazer falling from a C-17 cargo plane flying over the South China Sea, in Ruben Fleischer’s action-adventure adaptation of the Naughty Dog videogame franchise.
The organization’s career development series that supports women in UK’s VFX and animation industries expands with two iterations this year; applications for Spring are due April 11 with application dates for Fall 2022 to be announced.
Latest snippet features a small sampling of the film’s large-scale action visual effects; Paramount Pictures’ ‘Sonic the Hedgehog’ sequel hits theaters April 8.
NVIDIA’s Media and Entertainment GM, Richard Kerris, introduced a number of new releases, coming updates, and future plans for the growing ecosystem surrounding the company’s powerful new interactive, real-time 3D design collaboration platform.
New footage reveals more of the ‘Sonic’ sequel’s plot, and gives fans glimpses of its snowy set pieces and kinetic action scenes.
AWN’s Max Weinstein reflects on last week’s VES Awards ceremony, an evening filled with excitement that nevertheless marked another rough, taxing year for visual effects artists, the industry, and the world at large.
For the 14th consecutive year, each Academy Award nominee for the Best Visual Effects used NVIDIA technologies.
One of the world’s most important digital skills contests is now open to aspiring artists in VFX, Animation, Games, VR, Motion Graphics, Concept Art and Design; entries will be accepted in all categories now through June 1.
Starring Tom Hanks as Geppetto, the live-action retelling of the classic story of a woodcarver who builds a wooden puppet and treats him as his own son is slated to hit the streamer September 2022.
The latest #DeepDive session is a virtual event featuring the VFX teams’ never-before-shared insights into the visual effects behind the Oscar nominated feature ‘Dune;’ registration is open and free.
VFX studio tackles a series of long, digitally stitched-together riverbed battle sequences in the Korean War drama, China’s most expensive, and highest grossing movie ever.
Leading VFX and animation studio delivers more than 700 visual effects shots, filled with CG environments and digital characters including sentinels and harvesters, the Cybebe, Kuhjaku, Lumin8, and Mnemosyne ship, in Lana Wachowski’s fourth ‘The Matrix’ franchise installment.
Escape Studio will hold the event’s 10th edition both online and in person, featuring talks, presentations, and career advice aimed at students, emerging talent, and industry professionals; the festival runs March 8-10.
The last preview of the upcoming prequel of Naughty Dog’s smash PlayStation game franchise, starring Tom Holland and Mark Wahlberg, gives us a glimpse of its epic action set pieces before it’s released exclusively in theaters.
From functional wingspans to alien throat anatomy, DNEG animation director Robyn Luckham discusses his work on Denis Villeneuve’s masterful epic adaptation of the Frank Herbert sci-fi classic.
Leading VFX and animation company enters deal with publicly traded SPAC Sports Ventures; combined company, to be led by current CEO Namit Malhotra, will be listed on the Nasdaq.
DNEG’s feature animation division drew on years of cutting-edge VFX production experience to build the pipeline needed to help Locksmith Animation bring Barney and Ron the B*Bot to life.
The ‘Euphoria’ star will play the role of an orphaned girl with scrappy, survivalist instincts in the upcoming series; DNEG set as lead VFX vendor.
2021 conference brought together over 3,000 computer graphics industry attendees from 41 countries, overcoming significant obstacles to attend the live program at the Tokyo International Forum in Japan.
Leading visual effects and animation house delivers over 750 shots across 20 sequences, including digidoubles, Carnage transformations, and the wraith Venom, on Andy Serkis and Sony Pictures Entertainment's serial killer symbiont sequel to its 2018 box office hit, ‘Venom.’
With a comprehensive range of onsite safety and hygiene measures in place, event will welcome attendees in-person at the Tokyo International Forum from December 14-17; international attendees will join virtually from all over the world.
Leading visual effects house delivers 770 shots, including extensive full CG characters and environments, on Andy Serkis’ ‘Venom: Let There be Carnage,’ Columbia Pictures’ crazed symbiont sequel to its 2018 box office hit, ‘Venom.’
A team of visual effects houses, led by DNEG, created 4,000 shots, complete with new worlds, the mysterious Vault artifact, and the enormous Invictus ship, in David Goyer’s expansive and enthralling new series, based on the famed author’s seminal sci-fi book series, now streaming.
DNEG CEO Namit Malhotra weighs in on what he calls a ‘landmark agreement’ that will fuel the progression and application of new production tools, technology, and workflows in areas such as movies, TV, games, metaverses, VR, and theme park rides.
The VFX studio strengthens its leadership team with the former DNEG, Framestore and MPC animation head and supervisor.
