Melissa Taylor, Siobhan Bentley and Tamara Boutcher will oversee feature animation and VFX services in London and Montreal studios.
Tagged With: DNeg
Veteran animation director returns, bringing his extensive feature and 3D animation experience to studio’s growing creative team.
Former Skydance SVP joins LA office; will build creative team that provides range of services including pitching and development support, creative supervision and production management.
Veteran visual effects and CG supervisor with 25+ years’ experience joins studio’s senior creative team.
HBO garners multiple wins including Outstanding Special Visual Effects, Special Visual Effects in a Supporting Role, Main Title Design and Production Design.
Veteran visual effects and CG supervisor with 20 years’ experience brings his creative vision to studio as it ramps up productions.
VFX powerhouse DNEG has shared 106 images with AWN, showing in extensive detail some of the concept art and VFX imagery their team, led by VFX supervisor Alessandro Ongaro, produced for Sony Pictures Imageworks on the latest 'MiB' franchise hit, 'Men in Black: International.'
VFX supervisor Jerome Chen discusses staying true to the ‘MiB’ franchise look, and meeting audience expectations, while producing 2,000 visual effects shots in only six-months.
Production VFX supervisor Guillaume Rocheron, MPC, Method Studios and DNEG describe the creative and technical challenges of bringing four gigantic kaiju to the screen in ‘Godzilla: King of the Monsters.’
DNEG visual effects producer discusses unique processing of never-before-seen NASA footage on Damien Chazelle’s Oscar-winning drama about Neil Armstrong’s legendary Moon walk.
High-profile creative hires Emile Ghorayeb, Keith Roberts and Spencer Cook join Gilman to bolster studio’s global expansion plans.
Flexible use of expanded array of encoders will enable faster, more interactive remote workstation experiences for users working with high-resolution content.
Award-winning VFX house expands Vancouver and Montréal facilities, hires veteran television and VFX producer Michelle Eisenreich to lead Vancouver operations.
Media and entertainment trade union BECTU calls for new industry code of practice to better protect freelance workers when companies go into administration.
VFX supervisor Paul Lambert, DFX supervisor Tristan Myles, miniature effects supervisor Ian Hunter and special effects supervisor J.D. Schwalm receive Academy Awards for their contributions to director Damien Chazelle’s historical biopic.
Noted Oscar-winning production designer will be joined by Patrick Hanenberger from ‘The LEGO Movie 2’ in sharing their latest work.
Former All3Media general counsel to oversee London animation studio’s legal and business affairs, business strategy and development, commercial operations and the implementation of its long and short-term strategic plans.
Alongside a new featurette produced by primary visual effects vendor DNEG, Oscar-winning VFX supervisor Paul Lambert details the hybrid of practical and digital techniques employed for the cinematic adaptation of ‘First Man: The Life of Neil A. Armstrong.’
Alongside primary visual effects vendor DNEG, Oscar-winning VFX supervisor Paul Lambert and production designer Nathan Crowley employ a hybrid of practical and digital techniques for the cinematic adaptation of ‘First Man: The Life of Neil A. Armstrong.’
Studio launches division to provide visual effects and animation services for TV and streaming content producers.
The veteran animation director, along with DFX supervisor Aharon Bourland, will detail DNEG’s work on Marvel and Sony’s upcoming superhero-adventure film at next month’s Turin event.
SPI visual effects supervisor Sue Rowe and her team use simulation tools and a lot of bubbles to tackle a dynamic, action-packed third act in Warner Bros.’ underwater thriller.
Call for submissions for Vancouver conference and festival running October 25-28 extended to September 10.