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Tagged With: DMP

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MPC Delivers a VFX ‘Crash’ Course for Michael Mann’s ‘Ferrari’

The visual effects studio helps realize the director’s unique vision, including the film’s climax featuring racing driver De-Portago's famous crash; the team tracked and mapped the CG Ferrari to the practical crash, dramatically launching it into the packed racetrack crowd, populated by digi-doubles.

Feature Film VFX VFXWorld

FutureWorks Tackles the VFX on ‘Rocky Aur Rani Kii Prem Kahaani’

By Dan Sarto | Wednesday, January 24, 2024 at 2:00pm

The global visual effects studio partnered with Dharma Productions and DOP Manush Nandan to deliver over 1,300 shots, including set extensions, composites and motion graphics on numerous shots of phones, TVs, and iPad screens, and a CG car in a frantic chase sequence, on Director Karan Johar’s dramatic love story. 

Feature Film VFX VFXWorld

Scanline VFX Takes a Big Bite Out of ‘Meg 2: The Trench’

The studio delivers 590 shots across 20 sequences, including the prehistoric opening, the final battle, and loads of creature work on a T. rex, giant octopus, snappers, and megalodon triumvirate of Apex, Haiqui, and Bob, in Jason Stathom and Warner Bros.’ ‘The Meg’ sequel.

Boo! VFXWorld

Cinesite Goes All Mysterious for Kenneth Branagh’s ‘A Haunting In Venice’

Production VFX Supervisor Artemis Oikonomopoulou talks ghosts, cryptic water messages, and 1947 Venice, along with lots of invisible effects – and some CG bees – on the director’s third outing as famed Belgian detective Hercule Poirot in the latest cinematic adaptation of an Agatha Christie novel.

Skol! VFXWorld

BlueBolt’s 'Viking VFX' Quest Ends with ‘The Last Kingdom: Seven Kings Must Die’

After eight years, five seasons and a concluding feature film, VFX supervisor Richard Frazer laughs at the notion he’s earned a PhD in 10th century British history; as the sole visual effects vendor for the entire run, BlueBolt handled historically accurate CG characters, massive armies, and gory combat on the Netflix series and feature.

VFX for TV VFXWorld

FuseFX Ratchets Up the Visuals and Adventure in ‘Outer Banks’ Season 3

The leading VFX studio delivers plane crashes, house fires, and a cave with 500-year-old gold treasure, in the latest season of Netflix’s action-adventure mystery teen drama about two warring clans in North Carolina’s famous barrier islands.

VFX for Film Headline News

FutureWorks' VFX is ‘On Track’ with Realism and Emotion in ‘Darlings’ Finale

The studio delivers 500+ seamless VFX shots for the gripping climax – involving a railway showdown - of the Netflix original dark comedy about a young woman who takes revenge on her abusive alcoholic husband.

Super Bowl LVII Headline News

Watch: CrowdStrike’s ‘Troy’ Super Bowl TV Spot

The cybersecurity company’s in-house creative team and VFX studio Framestore use a not-so-metaphorical ‘Trojan horse’ to deliver a message to millions about the real and pervasive threat of cyberattacks.

The Expanding Star Wars Universe VFXWorld

Image Engine Shares ‘Obi-Wan Kenobi’ VFX Breakdown Reel

Leading visual effects studio's veteran ‘The Mandalorian’ and ‘The Book of Boba Fett’ VFX team delivers 364 shots across the Disney+ Original ‘Star Wars’ series, ranging from the creation of full CG builds for ship landing shots to an epic Kenobi lightsaber battle against the Empire.

Honey Mamma! VFXWorld

Luma Pictures Travels to Graceland in ‘Elvis’ VFX

The visual effects studio recreates the King of Rock & Roll’s famed home, showing its change over the course of 3 decades, along with shots of the iconic Hollywood sign, in Baz Luhrmann’s lush, colorful biopic.

Yay to Dystopian Futures! Headline News

VFX Legion Crafts a Post-Apocalyptic NYC for HBO Max’s ‘DMZ’

The company’s creative team transformed footage shot in Atlanta into a Manhattan-bound hellscape for the streamer’s four-part miniseries based on the DC comic book series of the same name.

Feature Film VFX Headline News

Union Shares VFX Breakdown Reel for WWII Thriller ‘Operation Mincemeat’

By Dan Sarto | Tuesday, June 7, 2022 at 8:27am

Studio was the sole visual effects vendor on the Warner Bros. feature - about Great Britain’s successful deception operation prior to the 1943 Allied invasion of Sicily - providing key CG ships and vehicles, wartime London environments, and troops storming into battle.

TV VFX Headline News

BlueBolt Shares VFX Breakdown Reel from ‘The Last Kingdom’ Season 5

By Dan Sarto | Friday, June 3, 2022 at 3:16pm

Visual effects studio delivers 782 shots as the lead vendor on the final season of the hit Netflix series, filled with sprawling CG armies, historically accurate CG ships, environments, and of course, bloody Saxon battles.

Ready set go! VFXWorld

DNEG Delivers Mushrooming VFX on ‘Sonic the Hedgehog 2’

The studio handles 185 shots on Jeff Fowler’s ‘Sonic the Hedgehog’ sequel, including the environmental build of the Mushroom Planet, the interior of a giant mech robot, and a massive explosive shockwave.

Yay to Dystopian Futures! VFXWorld

FuseFX Goes Inside a Post-Civil War Manhattan in ‘DMZ’

VFX supervisor Brian Kubovcik discusses his team’s work creating the devastated urban landscape of various famed New York locations, such as Chinatown and The Manhattan Bridge, in the new HBO Max miniseries, based on Brian Wood’s Vertigo comic series.

Feature Film VFX Headline News

Watch East Side Effects’ Noir-Inspired Visuals on ‘The Tragedy of Macbeth’

The New York-based VFX studio produced matte paintings, smoke and fog, and other digital elements to give Joel Coen’s new film its stark, minimalist look and feel.

We Want More Marvel! VFXWorld

TRIXTER Goes Full Morris on ‘Shang-Chi and the Legend of the Ten Rings’

The VFX studio delivers 237 shots, including the adorable, faceless, and furry four-winged Dijiang sidekick, in Marvel Studios’ first Asian super hero film.

Fly the Unfriendly Skies! VFXWorld

Scanline Delivers an Abrupt Change in Travel Plans for ‘Blood Red Sky’

Visual Effects studio produces 527 shots on Peter Thorwarth’s harrowing tale of an airplane hijacking gone astray because of one passenger with an unnatural thirst for blood.

TV VFX VFXWorld

For ‘Loki’ VFX, Time is On Method Studios’ Side

By Dan Sarto | Friday, September 24, 2021 at 1:04pm

The leading visual effects studio delivers 450 shots, including key Time Variance Authority, Gobi Desert and The Expanse sequences requiring digital characters, CG set extensions and live-action plate integration, on Marvel Studios and Disney+’s raucous new MCU outing.

TV VFX VFXWorld

FuseFX Has a Grand Old Time Variance in Marvel’s ‘Loki’

By Dan Sarto | Tuesday, August 31, 2021 at 12:47pm

The award-winning visual effects company tackles the time-stage theater, time turner effect, time collar and time door, along with set extensions, meteors and dust effects from the destruction of Lamentis, on Disney+’s latest MCU episodic adventure.

TV VFX VFXWorld

Molecule VFX Creates Texas Greenery from New Mexico Desert in ‘Dr. Death’

By Dan Sarto | Thursday, August 19, 2021 at 5:08pm

VFX supervisor Nico Del Giudice walks through the studio’s background replacements and greening, as well as surgical gore replacement work, on the Peacock crime drama, based on the podcast of the same name, inspired by the true story of Dr. Christopher Duntsch and his reign of deadly surgical malpractice.

In Space No One Hears You Render Headline News

Milk VFX Goes ‘Intergalactic’ for Sky

By Dan Sarto | Tuesday, May 25, 2021 at 3:51pm

Visual effects studio delivers 850 shots across eight episodes of the sci-fi prison break drama, spanning complex planet and city environments, a spaceship crash, hyperspace travel, creatures, and character enhancements.

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