Tagged With: digital matte paintings

The Third Coming VFXWorld

Framestore Serves Big Plate of Spaghettification for ‘Deadpool & Wolverine’

From previs, techvis, and postvis to a 5,000-frame street fight ‘oner,’ 3rd act Time Ripper disintegration, and our villain’s hand rummaging around a person’s head – think pinkie out the nose – VFX supervisor Matt Twyford, senior visualisation supervisor Kaya Jabar, and their teams delivered some of the most impressive visual effects seen of late on Shawn Levy’s hilarious and bloody new Marvel blockbuster.

Feature Film VFX VFXWorld

Rodeo FX Provides VFX ‘Help’ to Netflix’s ‘Damsel’

Led by VFX supervisor Mathieu Dupuis, the studio’s visual effects work brings audiences back to medieval times, with a touch of faerie tale and fantasy elements, including unique castles, enchanting countryside, and the spikey Stone Mountain cave where the titular character, played by Millie Bobby Brown, meets a fire-breathing dragon.

Pushing the Filmmaking Envelope VFXWorld

ILM’s Ian Comley and Charmaine Chan Talk ‘The Creator’ VFX

By Dan Sarto | Sunday, February 25, 2024 at 4:51pm

The VFX supervisors explain director Gareth Edward’s innovative, slightly radical new approach to filmmaking, a type of ‘reverse engineering,’ including the integration of visual effects, when during the process they’re created, and when it’s best not to use them, on his multiple VES Award-winning sci-fi thriller that’s been nominated for a Best Visual Effects Oscar. 

Zoom Zoom Headline News

MPC Delivers a VFX ‘Crash’ Course for Michael Mann’s ‘Ferrari’

The visual effects studio helps realize the director’s unique vision, including the film’s climax featuring racing driver De-Portago's famous crash; the team tracked and mapped the CG Ferrari to the practical crash, dramatically launching it into the packed racetrack crowd, populated by digi-doubles.

Sunny Days Return to Hala Headline News

RSP Reignites the Sun in Marvel Studios' ‘The Marvels’

The VFX studio tackled numerous large digital assets, creating the planet Hala and its vast city, taking it from brilliance to ruins, with the Sun’s initial luminous implosion and, ultimately, its miraculous rebirth.

Pushing the Filmmaking Envelope VFXWorld

How Gareth Edwards Reverse-Engineered His Filmmaking on ‘The Creator’

The director and his VFX Supervisor, Jay Cooper, explain how they completely reversed the standard production process for his sci-fi epic, employing spontaneous live-action shoots that looked cool, not controlled, with 3D environments, digital matte paintings, and many other elements on the 1,600 visual effects shots designed afterwards, not before.

Feature Film VFX VFXWorld

Scanline VFX Takes a Big Bite Out of ‘Meg 2: The Trench’

The studio delivers 590 shots across 20 sequences, including the prehistoric opening, the final battle, and loads of creature work on a T. rex, giant octopus, snappers, and megalodon triumvirate of Apex, Haiqui, and Bob, in Jason Stathom and Warner Bros.’ ‘The Meg’ sequel.

Boo! VFXWorld

Cinesite Goes All Mysterious for Kenneth Branagh’s ‘A Haunting In Venice’

Production VFX Supervisor Artemis Oikonomopoulou talks ghosts, cryptic water messages, and 1947 Venice, along with lots of invisible effects – and some CG bees – on the director’s third outing as famed Belgian detective Hercule Poirot in the latest cinematic adaptation of an Agatha Christie novel.

Harrison Ford Can Still Whip it Up! VFXWorld

Rising Sun Pictures and Important Looking Pirates Tackle ‘Indiana Jones and the Dial of Destiny’ VFX

The visual effects studios recreated 1960s New York City, complete with city street and subway chases – and digital horse - and an ancient undersea trireme shipwreck dive that included digital doubles, digital creatures, and dry-for-wet effects, respectively, on James Mangold and Lucasfilm’s final ‘Indiana Jones’ cinematic franchise adventure.

Skol! VFXWorld

BlueBolt’s 'Viking VFX' Quest Ends with ‘The Last Kingdom: Seven Kings Must Die’

After eight years, five seasons and a concluding feature film, VFX supervisor Richard Frazer laughs at the notion he’s earned a PhD in 10th century British history; as the sole visual effects vendor for the entire run, BlueBolt handled historically accurate CG characters, massive armies, and gory combat on the Netflix series and feature.

VFX for TV VFXWorld

FuseFX Ratchets Up the Visuals and Adventure in ‘Outer Banks’ Season 3

The leading VFX studio delivers plane crashes, house fires, and a cave with 500-year-old gold treasure, in the latest season of Netflix’s action-adventure mystery teen drama about two warring clans in North Carolina’s famous barrier islands.

The Devil is in the Details ANIMATIONWorld

‘The Dragon Prince’ Director Villads Spangsberg Talks Toonlines and Tough Challenges

Netflix’s Emmy Award-winning series boasts colorful and emotive CG characters, forgoing the soft, rounded look of cell-shading that’s much easier to produce but not nearly as sharp, snappy, or stylized.

VFX for television VFXWorld

FuseFX Helps ‘The Mysterious Benedict Society’ Set Sail

CG supervisor Bryant Reif and his team created ‘The Shortcut,’ an entirely CGI transatlantic ocean liner modeled after the Queen Mary, along with digital people, oceans, docks, wakes and waves, for Season 2 of the series, now streaming on Disney+.

VFX for television Headline News

Framestore Shares ‘Kaleidoscope’ Breakdown Reel

Studio serves as lead VFX vendor on Eric Garcia’s new nonlinear, eight-part Netflix crime series inspired by the true story of a $70 billion Manhattan bank heist during Hurricane Sandy; challenging effects-heavy shots included creating a swarm of digital bees to camouflage a character’s movements through a super-secure bank vault.

The Expanding Star Wars Universe VFXWorld

Image Engine Shares ‘Obi-Wan Kenobi’ VFX Breakdown Reel

Leading visual effects studio's veteran ‘The Mandalorian’ and ‘The Book of Boba Fett’ VFX team delivers 364 shots across the Disney+ Original ‘Star Wars’ series, ranging from the creation of full CG builds for ship landing shots to an epic Kenobi lightsaber battle against the Empire.

Dare to Dream VFXWorld

Untold Studios Gets its Dream VFX Project with Neil Gaiman’s ‘The Sandman’

Led by VFX supervisor James HattSmith, the studio delivers 360 shots filled with a wide range of expansive visuals on the Netflix dark fantasy that follows the journey of Morpheus, the King of Dreams, captured and held prisoner for over a century, who struggles to fix the chaos his absence has caused.

The Epic Space Epic Returns VFXWorld

FuseFX Goes Big and Bold in ‘The Orville: New Horizons'

By Dan Sarto | Friday, September 9, 2022 at 1:10pm

Led by VFX Supervisor Tommy Tran, the studio produced massively complex visuals on 1,827 shots in Season 3 of Seth MacFarlane and Hulu’s sci-fi comedy, including bigger and more complex planets, space battles, and an impressive, completely overhauled USS Orville.

Honey Mamma! VFXWorld

Luma Pictures Travels to Graceland in ‘Elvis’ VFX

The visual effects studio recreates the King of Rock & Roll’s famed home, showing its change over the course of 3 decades, along with shots of the iconic Hollywood sign, in Baz Luhrmann’s lush, colorful biopic.

Yay to Dystopian Futures! Headline News

VFX Legion Crafts a Post-Apocalyptic NYC for HBO Max’s ‘DMZ’

The company’s creative team transformed footage shot in Atlanta into a Manhattan-bound hellscape for the streamer’s four-part miniseries based on the DC comic book series of the same name.

TV VFX Headline News

BlueBolt Shares VFX Breakdown Reel from ‘The Last Kingdom’ Season 5

By Dan Sarto | Friday, June 3, 2022 at 3:16pm

Visual effects studio delivers 782 shots as the lead vendor on the final season of the hit Netflix series, filled with sprawling CG armies, historically accurate CG ships, environments, and of course, bloody Saxon battles.

Ready set go! VFXWorld

DNEG Delivers Mushrooming VFX on ‘Sonic the Hedgehog 2’

The studio handles 185 shots on Jeff Fowler’s ‘Sonic the Hedgehog’ sequel, including the environmental build of the Mushroom Planet, the interior of a giant mech robot, and a massive explosive shockwave.

Yay to Dystopian Futures! VFXWorld

FuseFX Goes Inside a Post-Civil War Manhattan in ‘DMZ’

VFX supervisor Brian Kubovcik discusses his team’s work creating the devastated urban landscape of various famed New York locations, such as Chinatown and The Manhattan Bridge, in the new HBO Max miniseries, based on Brian Wood’s Vertigo comic series.

Feature Film VFX Headline News

Watch East Side Effects’ Noir-Inspired Visuals on ‘The Tragedy of Macbeth’

The New York-based VFX studio produced matte paintings, smoke and fog, and other digital elements to give Joel Coen’s new film its stark, minimalist look and feel.

The Space Cowboys are Back! Headline News

Ingenuity Studios Has a Blast with ‘Cowboy Bebop’ VFX

By Dan Sarto | Thursday, December 16, 2021 at 11:23am

Studio shares visual effects breakdown reel showcasing rockets, explosions, fire and other action graphics replacement work they delivered across 516 shots on Netflix’s live-action sci-fi neo-noir adaptation of the famed anime.

Feature Film VFX VFXWorld

All That Glitters Isn’t Gold in ‘Birds of Paradise’ VFX

Goodbye Kansas Studios delivers a hallucinogenic trip complete with trippy effects, speaking animals, and psychedelic glitter, in Sarah Adina Smith’s drama about two elite ballet dancers forced to compete for a prestigious job.

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