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Tagged With: digital doubles

Yay to Dystopian Futures! VFXWorld

FuseFX Goes Inside a Post-Civil War Manhattan in ‘DMZ’

VFX supervisor Brian Kubovcik discusses his team’s work creating the devastated urban landscape of various famed New York locations, such as Chinatown and The Manhattan Bridge, in the new HBO Max miniseries, based on Brian Wood’s Vertigo comic series.

The Search for Magellan’s Gold VFXWorld

DNEG Visual Effects Get Airborne in Sony's ‘Uncharted’

VFX supervisors Sebastian von Overheidt and Benoit De Longlee delivered 739 shots, including a 90-second sequence of heroes Nathan Drake and Chloe Frazer falling from a C-17 cargo plane flying over the South China Sea, in Ruben Fleischer’s action-adventure adaptation of the Naughty Dog videogame franchise.

TV VFX VFXWorld

Ingenuity Studios Delivers More Than Anxiety with ‘Dollface’ VFX

Visual effects house produces 494 shots across 10 episodes on Season 2 of the Hulu comedy, helping to visualize Kat Dennings’ wild imagination and insecurities, a Disney 2D animated fairy tale parody, and of course… the Cat Lady.

Just Take the Pill VFXWorld

DNEG Helps Visualize the 'Real World' of ‘The Matrix Resurrections’

Leading VFX and animation studio delivers more than 700 visual effects shots, filled with CG environments and digital characters including sentinels and harvesters, the Cybebe, Kuhjaku, Lumin8, and Mnemosyne ship, in Lana Wachowski’s fourth ‘The Matrix’ franchise installment.

Just Take the Pill VFXWorld

Framestore Has a Blast with ‘The Matrix Resurrections’ VFX

Studio delivers 443 shots, including 3rd act mayhem involving a high-octane motorcycle chase, an explosive helicopter encounter, and human torpedoes dropping from San Francisco high-rises, in the highly anticipated fourth ‘The Matrix’ franchise installment.

Feature Film VFX Headline News

Scanline Comes up Roses with ‘Eternals’ VFX

By Dan Sarto | Thursday, December 23, 2021 at 1:19pm

Leading visual effects studio delivers 233 shots across 12 sequences, including the action-packed battle through Camden between the deviant Kro and Eternals Sersei and Sprite, turning a double decker bus into rose petals, and extensive cosmic FX work including suns, big bang explosions, and supernovas, on Marvel’s latest MCU adventure.

Feature Film VFX VFXWorld

It’s No Day at the Beach for Weta Digital on ‘Eternals’

By Dan Sarto | Friday, December 17, 2021 at 10:07am

The leading VFX studio delivers 552 visual effects shots on Oscar-winning director Chloé Zhao’s MCU Phase 4 adventure, including the 3rd act beach fight scenes and planet-sized Celestial Tiamut.

Feature Film VFX VFXWorld

It’s Game On for Digital Domain’s ‘Free Guy’ VFX

Leading visual effects studio delivered 89 digital environments, 87 gameplay shots, and 347 VFX shots on Shawn Levy’s comedy adventure starring Ryan Reynolds as a bank teller who discovers he’s a background player in an open-world video game.

Fly the Unfriendly Skies! VFXWorld

Scanline Delivers an Abrupt Change in Travel Plans for ‘Blood Red Sky’

Visual Effects studio produces 527 shots on Peter Thorwarth’s harrowing tale of an airplane hijacking gone astray because of one passenger with an unnatural thirst for blood.

Feature Film VFX VFXWorld

ILM’s VFX Help Marvel Studios ‘Wing It’ in ‘Black Widow’

The storied visual effects studio delivers 800 shots, tackling the high-octane opening small plane escape scenes, a Budapest shoot-out and car chase across the city, and the widows fight in villain Dreykov’s flying HQ, in Marvel Studios’ most recent MCU action-thriller.

TV VFX VFXWorld

Weta Digital Soars with ‘The Falcon and The Winter Soldier’ VFX

By Dan Sarto | Wednesday, July 21, 2021 at 1:30pm

Visual effects supervisor Charlie Tait explains the studio’s death-defying Episode 1 aerial chase and mid-air fight sequences in Marvel Studios and Disney+’s action-packed six-episode MCU outing.

People Headline News

Netflix Adds Paul Debevec as Director of Research

By Dan Sarto | Friday, July 16, 2021 at 8:20am

The Academy Award-winning computer graphics pioneer joins streamer’s Data Science and Engineering team to oversee new technology development across VFX, virtual production, and animation production.

Good v Evil! VFXWorld

Creating the Post-Apocalyptic World of Stephen King’s ‘The Stand’

By Dan Sarto | Thursday, June 24, 2021 at 1:08pm

Overall VFX supervisor Jake Braver, with the help of ILM VFX supervisor Laurent Hugueniot, delivers 2,800 VFX shots depicting a world decimated by plague and a city ruled by supernatural evil, in the 9-part series from CBS Television Studios now streaming on Paramount+.

A Cut Above the Rest! VFXWorld

Scanline VFX Tackles the Cosmic Rewind in ‘Zack Snyder’s Justice League’

Led by VFX supervisor Bryan Hirota, studio delivers 1,000 visual effects shots across 22 sequences, from Steppenwolf’s complete redo to the Flash’s epic time reversal.

A Cut Above the Rest! VFXWorld

DNEG Revisits Some Old Friends in ‘Zack Snyder’s Justice League’

Leading VFX studio delivers 430 shots on HBO Max’s long-awaited DC feature redo, picking up where they left off in 2017 on Cyborg, Wonder Woman, and the Flash sequences.

And the Oscar Goes to…? VFXWorld

Virtual Production Takes Center Stage in ‘The Midnight Sky’

By Dan Sarto | Friday, April 23, 2021 at 6:33am

Digitized shots of Icelandic snow, glaciers, and misty weather, coupled with real-time camera tracking and Unreal Engine, meant high-resolution environment projections, and lighting, could be captured in-camera to provide unprecedented realism for onstage shooting, in George Clooney and Netflix’s Oscar-nominated sci-fi drama.

Fully Rigged Digital Humans from the Clouds! Headline News

Epic Games’ MetaHuman Creator Early Access Now Open

Program now open for anyone to create unique MetaHumans for direct use in Unreal Engine; new innovative cloud-based app can create digital humans - in minutes - almost indecipherable from the real thing.

Technology Headline News

DI4D Launches PURE4D Facial Capture Pipeline

New system combines proprietary technology with machine learning; performance is realized without animation rigs, creating a realistic animated digital double ready for in-engine use.

TV VFX Headline News

WATCH: Pixomondo’s ‘The Mandalorian’ Season 1 VFX Showreel

By Dan Sarto | Tuesday, September 29, 2020 at 12:50pm

VFX supervisor Goran Backman details the studio’s creature and environment work on Jon Favreau, Lucasfilm and Disney+’s VES and Emmy Award-winning hit space-adventure series.

Feature Film VFX VFXWorld

Union Illustrates Marie Curie and Radium’s Impact in ‘Radioactive’

UK visual effects studio tackles a choreographed radium dance, WWI battlefield, Hiroshima bombing, and Chernobyl disaster in Marjane Satrapi’s captivating biographical drama.

TV VFX VFXWorld

Folks VFX Recreates JFK’s Fateful Dallas Visit in ‘Umbrella Academy’ Season 2

By Dan Sarto | Thursday, August 27, 2020 at 1:10pm

VFX supervisor Laurent Spillemaecker and his Montreal team turned Toronto into early 1960s Dealey Plaza and surroundings with an exacting, detailed set of CG environments, people and digital assets.

TV VFX VFXWorld

Different Day, Different Doomsday in ‘The Umbrella Academy’ Season 2

VFX supervisor Everett Burrell breaks down the Netflix series’ almost 2,000 VFX shots, a mix of nuclear holocausts, digital characters, time jumps, and a goldfish.

TV VFX Headline News

WATCH: RISE FX’s ‘Babylon Berlin’ Season 3 VFX Breakdown Reel

By Dan Sarto | Wednesday, June 24, 2020 at 12:10pm

German visual effects studio releases new video highlighting their fantastic environment work recreating life in Berlin, circa 1929, in the political crime drama now playing on Netflix.

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