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Tagged With: digital doubles

TV VFX VFXWorld

Weta Digital Soars with ‘The Falcon and The Winter Soldier’ VFX

By Dan Sarto | Wednesday, July 21, 2021 at 1:30pm

Visual effects supervisor Charlie Tait explains the studio’s death-defying Episode 1 aerial chase and mid-air fight sequences in Marvel Studios and Disney+’s action-packed six-episode MCU outing.

People Headline News

Netflix Adds Paul Debevec as Director of Research

By Dan Sarto | Friday, July 16, 2021 at 8:20am

The Academy Award-winning computer graphics pioneer joins streamer’s Data Science and Engineering team to oversee new technology development across VFX, virtual production, and animation production.

Good v Evil! VFXWorld

Creating the Post-Apocalyptic World of Stephen King’s ‘The Stand’

By Dan Sarto | Thursday, June 24, 2021 at 1:08pm

Overall VFX supervisor Jake Braver, with the help of ILM VFX supervisor Laurent Hugueniot, delivers 2,800 VFX shots depicting a world decimated by plague and a city ruled by supernatural evil, in the 9-part series from CBS Television Studios now streaming on Paramount+.

A Cut Above the Rest! VFXWorld

Scanline VFX Tackles the Cosmic Rewind in ‘Zack Snyder’s Justice League’

Led by VFX supervisor Bryan Hirota, studio delivers 1,000 visual effects shots across 22 sequences, from Steppenwolf’s complete redo to the Flash’s epic time reversal.

A Cut Above the Rest! VFXWorld

DNEG Revisits Some Old Friends in ‘Zack Snyder’s Justice League’

Leading VFX studio delivers 430 shots on HBO Max’s long-awaited DC feature redo, picking up where they left off in 2017 on Cyborg, Wonder Woman, and the Flash sequences.

And the Oscar Goes to…? VFXWorld

Virtual Production Takes Center Stage in ‘The Midnight Sky’

By Dan Sarto | Friday, April 23, 2021 at 6:33am

Digitized shots of Icelandic snow, glaciers, and misty weather, coupled with real-time camera tracking and Unreal Engine, meant high-resolution environment projections, and lighting, could be captured in-camera to provide unprecedented realism for onstage shooting, in George Clooney and Netflix’s Oscar-nominated sci-fi drama.

Fully Rigged Digital Humans from the Clouds! Headline News

Epic Games’ MetaHuman Creator Early Access Now Open

Program now open for anyone to create unique MetaHumans for direct use in Unreal Engine; new innovative cloud-based app can create digital humans - in minutes - almost indecipherable from the real thing.

Technology Headline News

DI4D Launches PURE4D Facial Capture Pipeline

New system combines proprietary technology with machine learning; performance is realized without animation rigs, creating a realistic animated digital double ready for in-engine use.

TV VFX Headline News

WATCH: Pixomondo’s ‘The Mandalorian’ Season 1 VFX Showreel

By Dan Sarto | Tuesday, September 29, 2020 at 12:50pm

VFX supervisor Goran Backman details the studio’s creature and environment work on Jon Favreau, Lucasfilm and Disney+’s VES and Emmy Award-winning hit space-adventure series.

Feature Film VFX VFXWorld

Union Illustrates Marie Curie and Radium’s Impact in ‘Radioactive’

UK visual effects studio tackles a choreographed radium dance, WWI battlefield, Hiroshima bombing, and Chernobyl disaster in Marjane Satrapi’s captivating biographical drama.

TV VFX VFXWorld

Folks VFX Recreates JFK’s Fateful Dallas Visit in ‘Umbrella Academy’ Season 2

By Dan Sarto | Thursday, August 27, 2020 at 1:10pm

VFX supervisor Laurent Spillemaecker and his Montreal team turned Toronto into early 1960s Dealey Plaza and surroundings with an exacting, detailed set of CG environments, people and digital assets.

TV VFX VFXWorld

Different Day, Different Doomsday in ‘The Umbrella Academy’ Season 2

VFX supervisor Everett Burrell breaks down the Netflix series’ almost 2,000 VFX shots, a mix of nuclear holocausts, digital characters, time jumps, and a goldfish.

TV VFX Headline News

WATCH: RISE FX’s ‘Babylon Berlin’ Season 3 VFX Breakdown Reel

By Dan Sarto | Wednesday, June 24, 2020 at 12:10pm

German visual effects studio releases new video highlighting their fantastic environment work recreating life in Berlin, circa 1929, in the political crime drama now playing on Netflix.

Feature Film VFX Headline News

RISE FX’s ‘Hobbs & Shaw’ Crazy Motorcycle Chase VFX Breakdown Reel

By Dan Sarto | Friday, May 29, 2020 at 12:48pm

German visual effects studio releases new video highlighting their work on Idris Elba’s full throttle daredevil motorcycle pursuit through London, in David Leitch and Universal Pictures’ hit action-adventure.

Feature Film VFX VFXWorld

Eric Demeusy’s Indie Sci-Fi Thriller ‘PROXIMITY’ Launching May 15 on VOD

By Dan Sarto | Thursday, May 14, 2020 at 4:16pm

The Emmy Award-winning VFX artist leverages his animation and visual effects experience to craft a suspenseful film about a young NASA scientist obsessed with proving he was abducted by aliens. 

Feature Film VFX VFXWorld

The Magic Behind the Magic of 'Star Wars: Episode IX’

Production VFX supervisor Roger Guyett talks creating Princess Leia, the benefits of practical shooting, and bringing the saga to a close.

Feature Film VFX VFXWorld

The Triumph of Invisibility: The Spectacular Non-Spectacular Effects of ‘1917’

Production VFX supervisor Guillaume Rocheron discusses the special challenges involved in creating the illusion of grim reality in Sam Mendes’ Oscar-nominated epic World War I drama.  

Feature Film VFX VFXWorld

MPC Braves the Front Lines to Deliver VFX for Same Mendes’ ‘1917’

By Dan Sarto | Wednesday, February 5, 2020 at 2:58pm

Studio’s digital skills are put to the test as they stitch the Oscar-nominated film’s lengthy, uninterrupted takes together into one long seemingly real-time sequence.

Feature Film VFX VFXWorld

Method Studios’s Smashing ‘John Wick: Chapter 3 – Parabellum’ Invisible VFX

By Dan Sarto | Wednesday, October 9, 2019 at 11:25am

Glass, glass and more glass… visual effects supervisor Glenn Melenhorst and team show their CG chops by shattering a ton of glass in Lionsgate’s hit neo-noir action thriller starring Keanu Reeves.

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