VFX Supervisor Dennis Berardi dishes on the show’s signature production of ghouls, critters, an octopus, a blob monster, a six-foot long queen rat, and a lady made out of beauty lotion – 2,000 visual effects shots all totaled - in the horror anthology series now streaming on Netflix.
VFX Supervisor Enrik Pavdeja, along with Framestore, BlackGinger, and The Third Floor, deliver a bloodthirsty, rogue, fully CG lion involved in 240 shots, including a number of enormously long 5,000-10,000 frame one-takes, on Baltasar Kormákur’s survival thriller.
John Nolan, a trainee 22 years ago on ‘Walking with Dinosaurs,’ returns to the world of mechanical saurians to produce 48 creatures from 12 species, including a 22-foot-high Giganotosaurus with a head the size of a transit van, in Colin Trevorrow and Universal’s latest dino epic.
VFX supervisor David Vickery talks about combining old-school and brand-new techniques in the service of realism and saurian hijinks on Universal’s ‘Jurassic World Dominion,’ now playing in theaters, available from Universal Home Entertainment on 4K, Blu-ray and Digital, and coming to Peacock September 2.
Well, the studio created 600 shots for Netflix’s Rowan Atkinson slapstick comedy -- 202 of which featured the series’ plucky and relentless bumblebee co-star.
Leading VFX company’s New York studio recreates a white stag – a key symbol in the show – in the highly anticipated ‘Dexter’ sequel, now playing on Showtime.
Leading VFX studio creates the mythical Great Protector dragon, demonic Dweller-in-Darkness, and an army of little demons for Marvel Studios’ first film to feature an Asian super hero.
In this VFX breakdown reel, see how the horned gator was created, including skin textures and a medley of facial expressions that made the reptilian star a series favorite.
Studio creates new and even more amazing superhero powers, as well as a photoreal green tiger and CG environments like the Amazons' island of Themyscira, for the HBO Max series, recently renewed for Season 4.
The VFX studio delivers 237 shots, including the adorable, faceless, and furry four-winged Dijiang sidekick, in Marvel Studios’ first Asian super hero film.
The visual effects giant delivered 500 shots on Marvel Studios and Disney+’s latest MCU episodic adventure, creating the pyroclastic-like trans-temporal monster, Alioth, along with Alligator Loki and the cloudy, ambiguous world where everything pruned by the TVA is deposited.
The company’s London and Stockholm offices delivered 229 VFX shots and 20 assets for the Netflix crime drama about the Baker Street Irregulars, based on the works of Sir Arthur Conan Doyle.
Visual effects studio delivers 850 shots across eight episodes of the sci-fi prison break drama, spanning complex planet and city environments, a spaceship crash, hyperspace travel, creatures, and character enhancements.
Using Unreal Engine-based virtual production tools, VFX supervisor Kevin Baillie helps the Oscar-winning director pre-shoot every live-action scene needing digital characters, including mice, chickens, and a cat.
Overall VFX supervisor Simon Stanley-Clamp and his London team create the magical world of Alfea College, the ancient boarding school for fairies at the center of the otherworldly Netflix live-action series.
Studio’s VFX supervisors Ed Hawkins, Max Riess, and Mark Spindler highlight their teams’ work delivering around 520 shots on HBO Max and Ridley Scott’s hit sci-fi thriller, which has been renewed for Season 2.
The VFX powerhouse delivers a bustling Santa’s village, both North and South Poles, and cute and quirky digital characters including Belsnickel, his Jack-a-lotes, reindeer, a Yule Cat Jola, and 641 elves, in the Netflix holiday adventure.
Led by VFX supervisor Hamish Schumacher, the Vancouver studio designs and produces three digital monsters, known as Toadies, bringing frighteningly-good fun to Netflix’s new film, based on the Joe Ballarini’s book series.
Tau Films uses leading physics-based simulation system to create CG woolly spider monkeys and rare white jaguar for Wonderfilm’s indie thriller, ‘Primal.’
Based out of their Oakland office, Chu will oversee animation company-wide, bringing to bear 20 years of experience animating and supervising, after his most recent role as animation director at ILM.
