Jon Peddie Research Releases 2023 Digital Content Creation Market Study
The report shows growth in demand for digital content and tools for its creation, especially in emerging markets.
Tagged With: digital content creation
disguise Announces Platform Integration with NVIDIA Omniverse
The new collaboration allows artists to connect their preferred content creation tools in a unified production pipeline for faster, easier changes and enhanced content production, with a lower barrier of entry for accessing M&E workflows.
Stimulated-Inc. Launches Stimulated.Works Production Service
The proprietary workflow and management solution provides in-house creative teams with a scalable digital asset creation system - animation, motion, development, and design – from concept to final project delivery.
In 2D, 3D, Business, CG, Digital Media, People, Technology | ANIMATIONWorld, Headline News, VFXWorld | Geographic Region: All
Young Artists Pivot into Animation for Universal Music Group’s °1824 Division
Moving away from videography during the pandemic, members of the company’s inhouse creative group embraced new digital tools, including After Effects, to produce captivating video content that often provided fans their first visual representation of a new song.
Capturing Chaos and Unpredictability in POORSTACY’s ‘Get Out’ Visualizer
Artist Yemi Faleti used Premiere Pro with Boris FX’s Sapphire and Red Giant’s VFX suite to produce the rapid cuts and melting colors in his CG piece for Universal Music Group’s °1824 division.
Raging Against Toxic Masculinity in Brye’s ‘LEMONS’ Lyric Video
Artist Justin Moon used Blender, FLIP fluids plugin, and After Effects to produce the sterile imagery that’s gradually corrupted by seething anger in his CG music video for Universal Music Group’s °1824 division.
In 3D, CG, Digital Media, Music and Sound, Music Videos, People, Short Films, Technology | ANIMATIONWorld | Geographic Region: All
Hanging by a Thread on a Windy Day in Team Salut’s ‘Boom Bam’ Lyric Video
To capture the song’s beat and energy, artist Lauren Brems drew fast scribbles over video frames of her friends dancing, integrated with subtle word movement, in her 2D animation short for Universal Music Group’s °1824 division.
Animating Soft-Spoken Vocals in The White Buffalo’s ‘Sycamore’ Music Video
To capture the lyrics’ dark gravity, artist Baptiste Leroux used hand-drawn frames in TV Paint for a textured, stop-motion look, in his short fan film for Universal Music Group’s °1824 division.
Maya B Goes Quirky Collage in ‘Sink (ft. SAINt JHN)’ Music Video
In the first of a five piece series on new animated shorts from Universal Music Group’s °1824 division, AWN shows how artist Carolyn Knapp used pieces of paper, gold foil, even her own clothes, along with Photoshop and After Effects, to create an innovative 2D film.
LoUPE Simplifies Storytelling with Technology ‘For Artists, By Artists’
Tangent Labs co-founder Jeff Bell shares how their platform integrates asset management, production and task management, review and collaboration, sketching, draw overs, and note taking to enable transparent, accessible, and innovative animation and VFX creativity.
In 2D, 3D, Business, CG, Digital Media, Films, Games, People, Technology, Television, Visual Effects | ANIMATIONWorld, Headline News, VFXWorld | Geographic Region: All, North America
Foundry Names Jody Madden As New CEO
Company veteran has held several senior executive positions prior to taking the helm, effective immediately.
In 3D, Business, CG, People, Technology, Visual Effects | ANIMATIONWorld, Headline News, VFXWorld | Geographic Region: All
It’s Full Steam Ahead for Foundry’s Post-Acquisition Mission
For co-founder and chief scientist Simon Robinson, Roper Technologies’ company purchase better enables the patient, long-term management perspective needed to successfully innovate and support a rapidly changing digital content creation industry.
In 3D, Business, CG, Films, People, Stereoscopic 3-D, Technology, Visual Effects | ANIMATIONWorld, VFXWorld | Geographic Region: All
Foundry’s Katana 3.0 to Include New Rendering Plugin 3Delight
Completely shareable between Katana and Maya, innovative shading engine is allows for direct transfer of look development between digital content creation apps.
In 3D, CG, Films, Technology, Visual Effects | ANIMATIONWorld, Headline News, VFXWorld | Geographic Region: All, Europe, North America
