Visual effects supervisor Charlie Tait explains the studio’s death-defying Episode 1 aerial chase and mid-air fight sequences in Marvel Studios and Disney+’s action-packed six-episode MCU outing.
Tagged With: digital assets
Company adds video, VFX and image editing software tools to its already extensive catalog of high-quality creative assets, increasing its service offerings to creators.
The proprietary workflow and management solution provides in-house creative teams with a scalable digital asset creation system - animation, motion, development, and design – from concept to final project delivery.
‘Rick and Morty’ creator’s show about a flawed family of humans, gods, and monsters in a mythical ancient Greek city will be curated on Blockchain with a digital marketplace selling all sorts of NFT merchandise; series to debut in 2022.
German visual effects studio's new highlight reel showcases their work on funky ‘60s planet, menacing robots, and White Room prison cell from hit HBO horror fantasy series.
Using Unreal Engine-based virtual production tools, VFX supervisor Kevin Baillie helps the Oscar-winning director pre-shoot every live-action scene needing digital characters, including mice, chickens, and a cat.
For the director of the studio’s vibrant and lively new 7-minute film, now playing theatrically in front of ‘Raya and the Last Dragon,’ yearning for what you had in the past can prevent you from enjoying what you have in the present.
Studio’s VFX supervisors Ed Hawkins, Max Riess, and Mark Spindler highlight their teams’ work delivering around 520 shots on HBO Max and Ridley Scott’s hit sci-fi thriller, which has been renewed for Season 2.
Check it out!; Kite and Lightening’s Cory Strassburger produces high-quality seven-minute CG short, ‘The Child Strikes Back,’ using an iPhone, free Unreal Engine, and off-the-shelf tools and assets.
Goodbye Kansas recreates the legendary fortress of Arthurian mythology in the new fantasy adventure series based on Frank Miller’s graphic novel.
Game and Unreal Engine giant announces new financing round that pegs value of company at $17.3 billion.
Visual effects studio delivers almost 700 shots, plus main titles, for the Netflix fantasy adventure about a young dead woman, miraculously resurrected then flung into in a battle between good and evil.
During Comic-Con panel, showrunner explains decision on integrating live-action with comic-style toon-shaded animation to finish episode halted due to the novel coronavirus.
Company makes $250 Million strategic investment in game industry leader to broaden their collaboration developing state of the art technology, entertainment, and socially connected online services.
New joint venture will assume perpetual, worldwide rights to over 100 original, previously unexploited, Stan Lee post-Marvel properties.
German visual effects studio releases new video highlighting their fantastic environment work recreating life in Berlin, circa 1929, in the political crime drama now playing on Netflix.
German visual effects studio releases new video highlighting their work on Idris Elba’s full throttle daredevil motorcycle pursuit through London, in David Leitch and Universal Pictures’ hit action-adventure.
With production shutdown due to COVID-19, the hit NBC series finished its final Season 7 episode by integrating 20+ minutes of toon-shaded animation with live-action.
Led by VFX supervisor Sven Martin, the studio handled all visual effects production on Philipp Stölzl’s colorful feature film adaptation of the stage musical of the same name.
Led by VFX supervisor Derek Spears, the studio filled the sea and sky around Midway Atoll with the devastating tools and action of war in Roland Emmerich’s harrowing tale of the decisive 1942 battle between the U.S. and Japan in the Pacific Theatre of WWII.
VES Award nominee Matt Welford describes ‘supporting visual effects,’ including previs and techvis, on the inaugural episode of the ‘Aquaman’ star’s hit post-apocalyptic action-adventure series.
Studio produces all the visual effects on Blumhouse Productions new supernatural holiday horror film.
VFX supervisor Matthew Welford and his Vancouver team create realistic rock wall avalanche for inaugural episode of Jason Momoa’s new series.