Haz Dulull and He Sun deliver an exciting game cinematic spot for Rebellion’s latest release, produced with a USD-based Houdini pipeline, Unreal Engine, and Redshift.
Tagged With: DaVinci Resolve
SoKrispyMedia’s hilarious and slickly produced ‘Stick Figure Battle’ sequel skillfully displays their innovative and cost-effective use of virtual production, 3D tools, CGI, and real-time rendering.
Production of epic space adventure combines miniatures and real-time technologies at a fraction of the cost of similarly designed and animated blockbuster feature films.
Technology leader’s APEXX T3 workstation one of first in industry to ship with new processor, with performance enhancements built to accelerate and optimize creative workflows.
17 new RTX Studio laptops pair RTX GPUs with NVIDIA Studio Stack of SDKs and drivers to significantly improve performance and reliability for content creators.
More than 45 films and series at the 2017 Sundance Film Festival used Blackmagic Design’s digital film cameras, DaVinci Resolve Studio grading, editing and finishing solution, Fusion Studio visual effects and motion graphics software, and other products throughout production and post production.
DaVinci Resolve 12.5.3 update adds support for the new version of Final Cut Pro X, as well as improvements to Media Composer interoperability, ACES color science, and more.
New update to Blackmagic Design’s professional editing and color correction software adds direct support for Apple ProRes decoding on Windows, allowing users to remove QuickTime 7 from their workflows.
Massive update boasts more than 1,000 enhancements and 250 new features, including major additions to the editing toolset, new and enhanced color features, improved HDR support, and powerful new effects.
Five-minute VR film experience created by developers Jack Caron, Todd Bryant, Omer Shapira and Uros Otasevic and shot in 6K is rendered using the Unreal Engine 4 game engine accelerated by NVIDIA Quadro M6000 GPUs.
FotoKem uses Blackmagic Design’s DaVinci Resolve for grading and online editing of the pilot of Starz Network’s hugely anticipated new ‘Ash vs Evil Dead’ TV series.
Mytherapy founder and chief colorist Dado Valentic worked closely with cinematographer Peter Hannan to develop the look and color of the new film directed by Monty Python’s Terry Jones and co-starring Kate Beckinsale and the late Robin Williams.
DigitalFilm Tree employs Blackmagic Design’s DaVinci Resolve as a core component of its remote dailies grading and transcoding services.
Blackmagic digital film cameras were used to shoot scenes and stunt work in ‘Mad Max: Fury Road’ and ‘Avengers: Age of Ultron,’ while Fusion Studio was used for compositing and to help create action sequences for ‘Spy’ and ‘Barely Lethal.’
Leading DI house colorist Stephen Nakamura employs Blackmagic Design’s DaVinci Resolve for D-Cinema and Dolby Vision color grades for director Brad Bird’s sci-fi adventure ‘Tomorrowland.’
Oscar winner Daniel Junge and Johnny Knoxville’s feature, ‘Being Evel,’ was shot using Blackmagic Design cameras, while more than 20 films at this year’s festival were color graded using DaVinci Resolve.
Blackmagic Design announces DaVinci Resolve has become a central part of O2 Post’s entire production and post production workflow, with the creation of one of the largest DaVinci Resolve workflows in the world.
DaVinci Resolve is used by EC3 dailies colorist Adrian DeLude for near-set dailies grading on the Twentieth Century Fox blockbuster ‘X-Men: Days of Future Past.’