Head of Visual Development and Character Design Ryan Meinerding talks about early twentieth-century influences for the character designs in Marvel Studios’ acclaimed new animated series, now playing on Disney+.
Tagged With: David Fincher
Animation Supervisor Stephan Franck talks about how the production’s creative ‘toys’ were all employed to mix 2D and 3D effects, backgrounds and characters into a visual style never seen before in Marvel Studios’ groundbreaking animated series, now playing on Disney+.
Under veteran DreamWorks Animation alum Simon Otto’s direction, the short film adaptation of Joe. R. Lansdale Lovecraftian story treats every frame as a painting in a living, breathing illustration.
The production designer on Marvel Studios’ and Disney+’s first-ever animated series discusses the difficult, tireless work his ‘five-headed Hydra’ team performs poring over every detail of the stylized, mostly 2D show’s environments, lighting, color, and cinematography.
Oscar-nominated director Robert Valley details the creative and visual development process behind his grim, futuristic tale of the rift between two brothers over the ‘unmodded’ who don’t receive human strength and endurance enhancement on their colony world.
Netflix drops a sex, violence, and F-bomb riddled R-rated official trailer that perfectly showcases the show’s intense, in-your-face vibe.
‘Soul’ also wins for Best Musical Score, while ‘Mank’ wins for Best Cinematography, in the final ceremony of the 2021 awards season.
With ‘Kung Fu Panda 2’ and ‘3’ director Jennifer Yuh Nelson at the helm, new season of Tim Miller and David Fincher’s Emmy Award-winning animation anthology series premieres May 14.
The Sony Pictures Imageworks senior VFX supervisor discusses his studio’s integration of Epic’s game engine technology and real-time workflows into its animation production on a new episode of Netflix’s ‘Love, Death & Robots’ anthology series.
Fox’s perennial favorite and Netflix’s new anthology series receive awards for Outstanding Animated Program and Outstanding Short Form Animated Program, while Seth MacFarlane wins for Outstanding Character Voice-Over Performance for ‘Family Guy.’
Production studio explores different animation styles with the help of V-Ray renderer for new anthology series now on Netflix.
Netflix sets March 15 as launch date for ‘Love Death + Robots,’ 185 minutes of startlingly dynamic animation not for the viscerally challenged!
Sentient dairy products, werewolf soldiers, robots gone wild, garbage monsters, cyborg bounty hunters, alien spiders and blood-thirsty demons from hell converge in an 185-minute genre orgy of *NSFM* (not suitable for mainstream) shorts.
Academy governors Richard Edlund and Bill Kroyer weigh in on how to acknowledge and reward the growing number of stellar CG character performances.
Former Digital Domain chief creative officer to oversee Industrial Light & Magic’s Vancouver facility, supervising effects work and providing creative oversight across all of the studio’s projects.
Set around the Mexican holiday Day of the Dead, Jorge Gutierrez’ animated feature, ‘The Book of Life,’ makes a third place debut, trailing behind Brad Pitt’s ‘Fury’ and David Fincher’s ‘Gone Girl.’
AJA Video Systems' Io 4K supported 4K playback for VFX review on director David Fincher’s ‘Gone Girl.’
David Fincher's Gone Girl easily remains at number one in its second weekend at the North American box office, trumping new entries with $26.8 million; Universal and Legendary Pictures' Dracula Untold comes in second place with $23.5 million.
David Fincher's adaptation of Gillian Flynn's popular novel takes first place with $38 million, while the prequel to ‘The Conjuring’ is a very close second with $37.2 million.