Oscar-nominated director Robert Valley details the creative and visual development process behind his grim, futuristic tale of the rift between two brothers over the ‘unmodded’ who don’t receive human strength and endurance enhancement on their colony world.
Tagged With: David Fincher
Netflix drops a sex, violence, and F-bomb riddled R-rated official trailer that perfectly showcases the show’s intense, in-your-face vibe.
‘Soul’ also wins for Best Musical Score, while ‘Mank’ wins for Best Cinematography, in the final ceremony of the 2021 awards season.
With ‘Kung Fu Panda 2’ and ‘3’ director Jennifer Yuh Nelson at the helm, new season of Tim Miller and David Fincher’s Emmy Award-winning animation anthology series premieres May 14.
The Sony Pictures Imageworks senior VFX supervisor discusses his studio’s integration of Epic’s game engine technology and real-time workflows into its animation production on a new episode of Netflix’s ‘Love, Death & Robots’ anthology series.
Fox’s perennial favorite and Netflix’s new anthology series receive awards for Outstanding Animated Program and Outstanding Short Form Animated Program, while Seth MacFarlane wins for Outstanding Character Voice-Over Performance for ‘Family Guy.’
Production studio explores different animation styles with the help of V-Ray renderer for new anthology series now on Netflix.
Netflix sets March 15 as launch date for ‘Love Death + Robots,’ 185 minutes of startlingly dynamic animation not for the viscerally challenged!
Sentient dairy products, werewolf soldiers, robots gone wild, garbage monsters, cyborg bounty hunters, alien spiders and blood-thirsty demons from hell converge in an 185-minute genre orgy of *NSFM* (not suitable for mainstream) shorts.
Academy governors Richard Edlund and Bill Kroyer weigh in on how to acknowledge and reward the growing number of stellar CG character performances.
Former Digital Domain chief creative officer to oversee Industrial Light & Magic’s Vancouver facility, supervising effects work and providing creative oversight across all of the studio’s projects.
Set around the Mexican holiday Day of the Dead, Jorge Gutierrez’ animated feature, ‘The Book of Life,’ makes a third place debut, trailing behind Brad Pitt’s ‘Fury’ and David Fincher’s ‘Gone Girl.’
AJA Video Systems' Io 4K supported 4K playback for VFX review on director David Fincher’s ‘Gone Girl.’
David Fincher's Gone Girl easily remains at number one in its second weekend at the North American box office, trumping new entries with $26.8 million; Universal and Legendary Pictures' Dracula Untold comes in second place with $23.5 million.
David Fincher's adaptation of Gillian Flynn's popular novel takes first place with $38 million, while the prequel to ‘The Conjuring’ is a very close second with $37.2 million.