For the Ace & Son studio founder, finding projects that matter, that focus on the complexities of living in a flawed world, brings purpose and sustainability despite the financial challenges, like the pro bono music video for The Exbats’ ‘Doorman,’ inspired by 'Superjail’s Christy Karacas, about a girl who wants to beat up a bar bouncer.
Animator, illustrator, and teacher Al Bohl uses paper cut-out silhouette animation, pioneered a century ago by German filmmaker Lotte Reiniger, to tell the timeless – and timely - story of a stranger who helps a man laying beaten and bleeding on the side of the road.
Production designer Patrick O’Keefe dives deep into two of the hit film’s most underrated characters, including one who is more ‘unnatural disaster’ than ‘villain’ and one based on ‘continuous noise’ and 1970s London punk rock.
Sam Koji Hale, Ara Santos, and Ben Giroux dig deep into the production of a special episode from the new season involving more than 20 different animation techniques including stop-motion, pixelation, Claymation, cut-outs and digital puppetry - a veritable ‘dream style’ amalgam that provides an incredible visual feast for the eyes; Season 2 premieres today on Paramount+.
An official selection in the ‘Coutrechamp’ feature film category, Katrin Rothe’s film, mixing documentary and fictional elements, details how the father of political photomontage, protesting against German warmongering, became an enemy of the Nazi state; the festival runs June 11-17.
With Oscar-nominated filmmakers Wendy Tilby and Amanda Forbis’ latest animated short, they add to, and benefit from, the organization’s growing support for filmmaking diversity, while celebrating the role of female pioneers like Evelyn Lambart, who’s being honored posthumously with the Winsor McCay Award at this Saturday’s 50th Annie Awards.
Award-winning stop-motion short co-produced by Croatia’s Finta Film and Slovenia’s Bonobostudio takes traditional multiplane cut-out animation to a new level in a tale of a drunken badger set loose on the roads.
