The Sky Original TV series about a little orange alien here to save the planet helps kids learn about climate change, inspiring them to become the next generation of eco-warriors.
Animation studios join forces to shake up the industry in the South of England; with two greenlit projects and commitment to flexible work models born from the pandemic, the joint venture hopes to spark new regional opportunities and growth in animation.
Taking place this November in Hangzhou, China, IAF looks at ‘Chinese Independent Animation in the 21st Century;’ submissions are now open for international animated films, research papers, and proposals focused on Chinese animation; entries must be received by September 30.
Produced by Xilam Animation and inspired by Disney’s iconic pair of troublemaking chipmunks, the 12-episode hand-drawn 2D show debuts today on Disney+.
For VFX supervisor Jamie Price, the ‘White Spikes’ predators eradicating humans in Chris McKay and Amazon Studios’ original sci-fi thriller had to be agile, scary, and above all, lethal.
Studio prevised over 3,000 shots, postvised over 700, and techvised countless others, working 83 straight weeks until the COVID-19 lockdown, then quickly transitioned to a remote pipeline to complete production on Universal and Justin Lin’s ninth ‘Fast & Furious’ franchise action thriller.
Studio’s Futurefolk initiative is designed to help find the next generation of visual effects talent; applicants being considered for a one month paid internship.
Overall VFX supervisor Jake Braver, with the help of ILM VFX supervisor Laurent Hugueniot, delivers 2,800 VFX shots depicting a world decimated by plague and a city ruled by supernatural evil, in the 9-part series from CBS Television Studios now streaming on Paramount+.
The free online event features a panel of industry leaders including ‘Steven Universe’ creator Rebecca Sugar and ‘Kung Fu Panda 2’ director Jennifer Yuh Nelson; topics range from interviewing and hiring insights to social media presence and working remotely.
As a follow-up to ‘3 Teaspoons of Sugar,’ their animated short about diabetes, South Africa’s Cabblow Studios releases new film about staying safe during the pandemic, starring the filmmaker’s aunt, who lost her life in the second wave.
Leading visualization company provides crucial virtual production support that helped the Netflix mystery thriller’s creative team remotely view work, brainstorm, and make creative decisions shot by shot during the pandemic.
Led by VFX supervisor Phil Jones and VFX producer Matthew Pellar from their Toronto facility, the studio shifted into warp speed during the pandemic to deliver 570 shots for the hit Paramount+ sci-fi drama.
Ceremony moves to March 27, 2022; film eligibility window returns to standard December 31 deadline, though requirements remain unchanged from 2021 awards.
Short films from Pôle 3D, Weta Digital, and ESMA are the big winners among 37 works, including two world premieres, selected for this year’s virtual Electronic Theater, coming August 9.
Industry leading market’s new, flexible format encourages attendee participation from anywhere; extensive program line-up includes pitches, on-line targeted meetings, and career recruitment; Annecy 2021 runs June 14-19.
The visual effects studio has opened a new office in NYC’s Financial District; the new digs are part of the company’s global expansion strategy and will accommodate its growing staff.
International Stuttgart Festival of Animated Film concludes six-day virtual event that provided a global audience with live streaming access to more than 400 shorts and features; entire ITFS media library will stay available to accredited users until May 16, 2021.
Award-winning visual effects company creates a mysterious alien ship, its crash wreckage, and a dimensional window, all obviously engineered by beings not of this world, for the new sci-fi mystery series.
Led by VFX supervisor Aldo Ruggiero, the visual effects studio helped recreate the signature barbershop storefront, a library, and other New York environments that couldn’t be shot due to the pandemic, in Eddie Murphy’s ‘Coming to America’ sequel now streaming on Amazon Prime.
We know the new season of Netflix’s hit sci-fi thriller is officially in production, Hopper may be alive, and there are some kids with telekinetic powers, in hospital gowns, playing in a sterile facility… with a special room just for Eleven?
New cloud-based pay as you go production service provides almost limitless, easily scalable access to high-power accelerated virtual workstations, high-speed storage, and on-demand rendering resources across Amazon’s global infrastructure.
R&D project aims to develop a totally immersive virtual production environment delivering high-quality real-time scenes in Unreal Engine.
With the pandemic still to be reckoned with, event will go virtual again this year, with an extended run set for September 22 – October 3; the best of the usual ‘in person’ activities will be featured and available from the safety and comfort of home; submissions still being accepted through May 31.
Nine projects selected out of 75 submissions include a diverse group of films with varied themes; festival runs from June 14-19.
25th edition entry deadline is June 21; event date for noted children’s animation festival is yet to be announced.
