Another major summer theatrical release gets swallowed whole by COVID-19, as the $200 million animated-feature remake is delayed once again, following on the heels of recent postponements for ‘Tenet’ and ‘Avatar 2.’
Virtual event to feature cutting edge, quirky and boundary pushing animation.
Program encourages submissions from UK-based LGBTIQ+ filmmakers working with storytellers/filmmakers from the African continent and Middle East.
Season 5 of the popular animated series kicks off with a musical special to help kids and their families address challenges and disappointments due to the COVID-19 pandemic.
Festival will feature special screenings with films by Theodore Ushev, Stuart Pound, Elisabeth Hobbs, Kaspar Jancis, Steven Subotnic, Atsushi Wada, Simone Massi and Konstantin Bronzit.
The festival promises nine exciting animation-filled days March 27 – April 4, 2021; Call for entries extended to October 1, 2020.
The first hybrid edition of Stuttgart International Festival of Animated Film will take place both onsite at various venues and feature an extensive oneline program.
The Lisbon Animation Festival will return March 10 – 21, 2021 to continue its role in the international and local cultural scene and animation community.
Winning films from Pixar, Filmakademie and Supinfocom Rubika are among 28 works, including three world premieres, selected for the first-ever Virtual Electronic Theatre, coming August 24.
The 17th edition of Slovenia’s weeklong animation festival promises to deliver the best and latest productions from the Eastern and Central European film scene.
Produced in France during the lockdown, Stéphane Berla’s funny animated short shows how nothing can stop a horde of frenzied shoppers, or post-apocalyptic raiders, in their quest for vital supplies.
Festival, postponed due to COVID-19 pandemic, looks forward to once again bringing together a global audience to celebrate animation.
2020 Programming strategy and COVID-19 moves the 2020 TAAFI Animation Industry Conference online from November 6-8.
The world’s largest entertainment content market is coming October 12 – 15; MIPCOM Online+ gives access to those who can’t attend.
Scheduled for September 23 – October 4, the event will feature screenings, virtual artist talks, workshops, and meetings with schools and recruiters.
Biomedical artist Alissa Eckert accurately illustrates the microscopic world through compelling 3D imagery, animation and motion graphics, helping communicate public health information and initiatives.
3rd annual event spotlights artists who use Adobe Aero to create and showcase immersive art projects.
With a new season of their satirical adult animated sketch comedy show coming soon to Fuse TV, the ‘Black Dynamite’ and ‘The Boondocks’ producers discuss being funny, and controversial, in a Black Lives Matter and pandemic-focused world.
Funding secured by Bristal-based visual effects studio follows government’s announcement to provide 1.5 billion pounds for arts sector impacted by COVID-19 pandemic.
In Joey Jones’ charming CG animated film, ‘How the Covid-dragon Disappears,’ a kid’s imagination serves as the battleground for a knight’s valiant fight against the coronavirus, honoring the brave essential workers of the 2020 pandemic.
A selection of presentations from the first-ever WIA online summit, held in conjunction with this year’s Annecy 2020 Online edition, is now available for free viewing.
Annual computer graphics conference and exhibition, originally scheduled November 17-20 in Daegu, South Korea, moves online due to COVID-19 pandemic.
New season, pushed from previously scheduled May 6 premiere by COVID-19 shutdowns, premieres later this year; cast member online panel set for July 24.
Mixed media production company 1stAveMachine uses animated gags to take aim at measures that are ineffective against the coronavirus.
Creative references and resources from 2008 through today.
