Harnessing enhanced virtual production workflows based on real-time rendering, the studio blends live-action and VFX in an epic battle set on the surface of a Google Pixel phone in a live actor’s living room.
Writer/director John Vassallo and studio SVP, Creative Logan McPherson talk about their award-winning 2D animated short film, a ghostly tale of a boy who loses his dog and must face terrifying forces to get her back.
Executive producer Julia Parfitt and director Patrick Osborne talk about how they brought a real-time animated Grog and Scanlan to the Season 1 Finale Watch Party for the hit Prime Video series.
At Anime Japan 2022, thatgamecompany shared concept art and storyboards revealing new characters and the expansion of its popular game franchise; ‘Sky Assemblies’ and ‘Sky Crafting Corner’ give fans a chance to take part in themed activities including arts and crafts, trivia, and in-game challenges.
From the creator of ‘Maya and the Three’ comes an animated film about Chacho, a scrappy, masked luchador chihuahua; Gabriel ‘Fluffy’ Iglesias stars and produces.
UK animation and VFX studio returns for the Sky TV drama's third and final season; VFX breakdown reel highlights studio’s work crafting a range of subtle, magical visual effects grounded within the tone of the storytelling.
The visual effects conference highlights artistic and technology advances in VFX; programs will include a look at artificial intelligence, sessions focused on the industry’s business and people, production sessions, and presentations of concept art.
What began as a livestreamed web series about a group of friends playing ‘D&D,’ has become 24 episodes of an animated adult fantasy-adventure featuring an excitable band of misfits with a fondness for boozing, brawling, and just generally F**king S**t up, desperately trying to pay off their mounting bar tab; highly anticipated show hits Prime Video today, January 28.
Audiences take a stunning visual tour of artwork across the ages, including Egyptian hieroglyphics, Aboriginal cave paintings, Middle Age tapestries, and Indonesian shadow puppets, in Oscar-winner Chloé Zhao and Marvel Studios’ superhero adventure.
Spice DAO reportedly purchased the book for 100 times its estimated value and will try to adapt its concept art into a series despite no ownership or rights to ‘Dune’ IP.
In this VFX breakdown reel, see how the horned gator was created, including skin textures and a medley of facial expressions that made the reptilian star a series favorite.
The rather excitable band of misfits, based on Critical Role’s first livestreamed tabletop RPG campaign, is ready to F**k S**t up!; the highly anticipated all-new adult animated fantasy-adventure series hits the streamer January 28.
Leading visual effects studio designs new ghosts, brings Harold Ramis back as Dr. Egon Spengler, and animates a horde of mini Stay-Puft marshmallows wreaking havoc on a Walmart, in Jason Reitman and Sony’s long awaited ‘Ghostbusters’ sequel.
13AM’s new 2.5D animated brawler, set to release early this year, is a story-driven, co-operative monster mashup that lets players collaborate to destroy an alien horde and save the planet.
Leading VFX studio delivers carefully crafted animation sequence where Tom Hardy’s Eddie Brock and Woody Harrelson’s Cletus Kasady correspond through a series of letters depicting the notorious villain’s early memories.
In the studio’s new original animated feature, viewers will experience uncharted and dangerous lands, led by a legendary family on a critical mission; helmed by Oscar-winning director Don Hall, the film is slated for release on November 23, 2022.
Confidential Creative and NC Labs have partnered on a first of its kind interactive animation project; NFT holding community members will be able to shape the project’s creative universe.
We Made A Thing Studios animates the Moruya-born artist’s new single, a story that transforms sadness and angst into a shimmering emo-anthem of hope and acceptance.
Head of Visual Development and Character Design Ryan Meinerding talks about early twentieth-century influences for the character designs in Marvel Studios’ acclaimed new animated series, now playing on Disney+.
Director Sean Pecknold used hand-crafted stop-motion animation and a multiplane camera to capture a young hawk’s struggle to fly with a broken wing; short premiered September 21 at a GRAMMY Museum retrospective featuring band frontman Robin Pecknold.
Snarling dogs and moth-infested gowns highlight the film’s 1,850 visual effects shots, supervised by Max Wood, and produced with an eye towards speed and believability.
Animation Supervisor Stephan Franck talks about how the production’s creative ‘toys’ were all employed to mix 2D and 3D effects, backgrounds and characters into a visual style never seen before in Marvel Studios’ groundbreaking animated series, now playing on Disney+.
The production designer on Marvel Studios’ and Disney+’s first-ever animated series discusses the difficult, tireless work his ‘five-headed Hydra’ team performs poring over every detail of the stylized, mostly 2D show’s environments, lighting, color, and cinematography.
Veteran Buck NY designer shares advice for mid-level creatives, including early career building; pitching, briefing & idea development; moodboards, storyboards, style frames & concept art; and reflection on the future.
The visual effects giant delivered 500 shots on Marvel Studios and Disney+’s latest MCU episodic adventure, creating the pyroclastic-like trans-temporal monster, Alioth, along with Alligator Loki and the cloudy, ambiguous world where everything pruned by the TVA is deposited.
