VFX supervisor John Kilshaw’s NY team produced the color blossom transformation from initial black and white format, as well as various magic effects and photoreal CG characters like a stork and kaleidoscope of butterflies, on the hit Marvel Studios and Disney+ series.
Tagged With: Concept Art
Led by VFX supervisor Ralph Maiers, the studio helped ‘energize’ the magical battle between Agnes/Agatha and her coven of witches in the final episode of the hit Disney+ series.
Executive producer Matthew Beans builds on Season 1 themes of harmony and positivity to explore issues of vulnerability, perfectionism… and what a jazz troll’s lair looks like; a new season of DreamWorks Animation’s ‘hair-raising’ adventures premieres today on Hulu and Peacock.
The delightful 2D/3D animated musical short, about a curious bear cub’s attempt to resist hibernation, marks the start of the program’s ambitious plan to produce two new shorts each year.
The famed Swedish artist and Jens 'Duvchi' Duvsjö, with support from Staffan Linder and Goodbye Kansas Studios, discuss their collaborative creative process in depicting a mesmerizing VFX sequence that awakens prehistoric creatures.
For story artist Colin Jack, boarding the heartbreaking backstory meant dealing with his own recent loss, made easier by enlisting the help of his son Gabriel.
The VFX powerhouse delivers a bustling Santa’s village, both North and South Poles, and cute and quirky digital characters including Belsnickel, his Jack-a-lotes, reindeer, a Yule Cat Jola, and 641 elves, in the Netflix holiday adventure.
With the final short’s release, the famous alt-rock musician discusses animated storytelling and his ambitious and expansive five-episode 2D series, produced to support the band’s long-awaited double album, ‘CYR’; watch ‘Purple Blood,’ the fifth and final film.
For Mike Anderson, Jared Hobbs, and Barret Thomson, producing Billy Corgan’s ambitious, five-episode project meant matching a 2D style to the frontman’s vision, while finding innovative ways to develop useful animatics just from scripts, well before the unreleased music made it into their hands.
Former ‘PAW Patrol’ and ‘Top Wing’ writer joins the team to develop original IP; show will span multiple platforms and feature interactive experiences.
Visualization services company brings innovative postvis and visual effects production pipeline support to Adam Mason’s new dystopian romance thriller, shot this past summer in Los Angeles during the COVID-19 lockdown.
With vibrant colors, gelatinous creatures and an unreal Lunarian moonscape, Sony Pictures Imageworks helps visualize a young girl’s emotional journey to a whole new world, in Pearl Studios’ new animated musical, now showing on Netflix.
Working with a team of six artists, director Steve Small employs a combination of 3D, rotoscope and hand-drawn artwork for the haunting, elegant main titles serving as the backstory for the HBO Max sci-fi series.
Art director Justin Wagner and associate art director Chi Duong Sato share an extensive set of high-octane storyboards, environments and concept art from Season 11 of Adam Reed and FXX’s hit animated comedy series.
Companion Book to the Netflix’s newest animated original film, ‘Over the Moon,’ features interviews, concept art, character sketches and final artwork.
Attendees will navigate a 3D virtual show floor featuring an international array of artists and exhibitors; over 200 presentations will be offered.
Goodbye Kansas recreates the legendary fortress of Arthurian mythology in the new fantasy adventure series based on Frank Miller’s graphic novel.
Visual effects studio delivers almost 700 shots, plus main titles, for the Netflix fantasy adventure about a young dead woman, miraculously resurrected then flung into in a battle between good and evil.
73 lots of featured art includes collections of rare production cels, animation drawings, and concept artwork, David Hall and Mary Blair pieces, and a variety of memorabilia signed by Walt Disney.
Sign-ups still open for upcoming masterclasses, featuring both Spanish and international industry experts; registration deadline is Friday, May 15.
Under Neil Pymer’s creative direction, animated short artfully captures triple platinum-selling musician’s uplifting song about relationships in the digital age.
Iconic concept artist and designer known for work on films like ‘Blade Runner’ and ‘Tron’ passes away at age 86 of complications from lymphoma.
For VFX supervisor Louis Morin, Tom Harper’s wild ride through the skies of 1862 London was a journey filled with live-action shoots, stunts, digital doubles and one super-cold sound stage.
Grab your notepad and fashionable wool scarf; a packed roster of talent led by Brad Bird, Dean DeBlois and Rob Legato will rub elbows and share insights at the digital media conference and symposium set for October 21-25 in Turin, Italy.