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Tagged With: compositing

Avoiding the Big One VFXWorld

Jeff Okun Shares the ‘Disastrous’ VFX of ‘The End is Nye’

By Dan Sarto | Tuesday, May 16, 2023 at 1:47pm

The veteran VFX supervisor delivered between 500-800 shots per episode on the 6-episode Peacock series, depicting Bill Nye getting killed in the most epic global disasters imaginable, including large-scale asteroid strikes, volcanic eruptions, earthquakes, tsunamis, floods… that mixed visual effects with actual footage to show what would happen and how we can either mitigate it, stop it, or survive it.

People Headline News

Preymaker Expands West Coast Staff

Creative team hires include Adam Lambert, Roxy Zuckerman, and Michael Reed, with Mattias Andersson joining the studio’s dedicated technology crew.

It’s Unreal! Headline News

Blue Zoo’s ‘MoPo’ Real-Time Tool Scores Epic MegaGrant

The London-based studio’s production software allows artists to create 3D animated content for platforms such as TikTok and YouTube in real-time; smaller teams can create quality content faster and cheaper with fewer steps.

Business Headline News

Max and Cartoon Network Announce ‘Peter & The Wolf’ Animated Short

Gavin Friday and Bono’s film project, developed in support of the Irish Hospice Foundation, reimagines Sergei Prokofiev’s classic symphony using a juxtaposition of traditional hand-drawn 2D animation combined with a physical set-built world to tell the story of the grieving 12-year-old Peter.

Only if we Help Can They be Saved VFXWorld

‘Jane’ Harnesses the Power of Imagination and VFX to Help the World’s Wildlife

For Matt Bishop and his artistic team, creating 39 different wildlife creatures, some highly endangered with little available reference, for Apple TV+’s live-action/CGI hybrid series inspired by the life and work of Dr. Jane Goodall, was a rewarding, collaborative effort that hopefully helps inspire people to better understand kids’ relationship with our planet; the show premieres on the streamer April 14.

Stressed About Homework and Creatures Attaching to Your Spine VFXWorld

Freefolk Goes Back to School with ‘Fate: The Winx Saga’ VFX

The visual effects studio creates 334 shots for Season 2 of Brian Young and Netflix’s coming-of-age fantasy adventure about teenage fairies learning to master their powers while navigating love, rivalries, and a flock of bug-like Scrapers at their magical boarding school.

Homeroom is Finally Cool VFXWorld

Framestore Brings Home a Great VFX Report Card on ‘The School for Good and Evil’

The leading visual effects company delivers 328 shots from its Montreal facility, with another 233 from its London facility, including heavy magical element simulations, a swarm of bees transforming into a human, and the wish fish girl, on the Paul Feig fantasy adventure now streaming on Netflix.

Technology Headline News

SCAD Alumnus Creates New 2D Lighting Tools for ‘The Pope’s Dog’ Short

Former visual effects student Noah Catan spent over a year working to improve upon the 2D ‘Klaus’ innovative 3D-styled lighting and shading in his development of Pantheon: Volumetric Lighting for 2D Animation software, created specifically for the production of SCAD Animation Studios’ CTA Emmy nominated animated short.

VFX for TV VFXWorld

FuseFX Ratchets Up the Visuals and Adventure in ‘Outer Banks’ Season 3

The leading VFX studio delivers plane crashes, house fires, and a cave with 500-year-old gold treasure, in the latest season of Netflix’s action-adventure mystery teen drama about two warring clans in North Carolina’s famous barrier islands.

VFX for Film Headline News

FutureWorks' VFX is ‘On Track’ with Realism and Emotion in ‘Darlings’ Finale

The studio delivers 500+ seamless VFX shots for the gripping climax – involving a railway showdown - of the Netflix original dark comedy about a young woman who takes revenge on her abusive alcoholic husband.

Truly the Bear Necessities VFXWorld

Robin Hollander Talks ‘Cocaine Bear,’ Wētā FX’s New Favorite Project

The VFX supervisor shares his studio’s fun, old-school visual effects work on Elizabeth Banks’ horror comedy based on the true story of a black bear, sometimes known as Pablo Escobear, who fatally ingested 75 pounds of cocaine dropped by smugglers in the Tennessee wilderness in 1985.

That Dang Quantum Realm! Headline News

RSP Heads to the Quantum Realm with ‘Ant-Man and The Wasp: Quantumania’ VFX

The Australian-based visual effects studio delivers 270 shots for Peyton Reed and Marvel’s MCU Phase 5 kick-off, including augmenting and then destroying the massive Celestium fortress and visualizing Kang’s 3D multiverse map.

Vroom Vroom ANIMATIONWorld

Titmouse Shows Car Culture - and Racoons - Lots of Love in ‘Super Turbo Story Time’

For executive producers Chris Prynoski and Daniel C. Katz, both long-time automotive and animation nerds, MotorTrend TV’s new series brings their two passions together for the first time; the live-action / 2D show premiered yesterday, March 14, across the brand’s TV and streaming platforms.

What’s Cookin? VFXWorld

Crafty Apes Prepares the Main VFX Course on ‘The Menu’

Visual Effects Supervisor Marc Smith and Compositing Supervisor Tanner Bartlett talk burning coals and a chef so hot he’s actually on fire, in Mark Mylod’s dark comedy about a truly cutthroat kitchen, starring Ralph Fiennes and Anya Taylor-Joy, now streaming on HBO Max.

On the Road to the Oscars ANIMATIONWorld

She Moves Shoed Shells on the Wee Floor

Animation director Kirsten Lepore discusses the herculean challenges of working with a miniscule mollusk in the Oscar-nominated, Annie Award-winning Marcel the Shell with Shoes On, now in theaters and streaming on Showtime.

Business Headline News

Metaphysic Adds Creative Dream Team

Former ILM AI experts Sam Head, Thomas Salama, Scott Bourne and Matteo Olivieri Dancey join the AI technology developer as it expands its work in high-profile partnerships and projects.

Super Bowl LVII Headline News

Watch: CrowdStrike’s ‘Troy’ Super Bowl TV Spot

The cybersecurity company’s in-house creative team and VFX studio Framestore use a not-so-metaphorical ‘Trojan horse’ to deliver a message to millions about the real and pervasive threat of cyberattacks.

The Devil is in the Details ANIMATIONWorld

‘The Dragon Prince’ Director Villads Spangsberg Talks Toonlines and Tough Challenges

Netflix’s Emmy Award-winning series boasts colorful and emotive CG characters, forgoing the soft, rounded look of cell-shading that’s much easier to produce but not nearly as sharp, snappy, or stylized.

Technology Headline News

Silver Spoon Rewrites XR Playbook for Nick Simulcast of CBS Christmas Day Game

The NY-based real-time animation and virtual production studio’s immersive ‘Nickified’ game day viewing experience included technological firsts in AI, real-time AR graphics, and mixed reality resulting in record-breaking viewership.

Real-World Experience Headline News

Escape Studios Students Contribute VFX to ‘Borderland’ Indie Thriller

Students at the Pearson College school helped deliver more than a dozen shots on the upcoming feature about a retired Irish paramilitary who witnesses an SAS officer’s fatal shooting of his pregnant wife.

Education Headline News

Stage 03 VFX Releases Online VFX101 Class Sampler

Featuring 6 hours of curated training material covering VFX filmmaking, Compositing, Modeling, and After Effects Animation, the VFX Sampler is a superb introduction to the global education program’s comprehensive, degreed, and accredited visual effects instruction.

Commercials Headline News

LOBO and Ground Control Climb Higher on ‘You’ll Totally Get There’ Spot

Created for TotallyMoney, the advert melds 2D, and 3D animation, capturing a hand-painted feel, making every frame look like an individual painting; the short conveys the client’s customers’ determination to climb towards their goals.

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